Filming and Performing Renaissance History
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Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in various cultural guises.
MARK THORNTON BURNETT Professor of Renaissance Studies at Queen's University, Belfast, Northern Ireland. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience , as well as Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture and Filming Shakespeare in the Global Marketplace. ADRIAN STREETE Lecturer in Renaissance Literature at Queen's University, Belfast, Northern Ireland. He is the author of Protestantism and Drama in Early Modern England, and the co-editor of ReFiguring Mimesis: Representation in Early Modern Literature and The Edinburgh Companion to Shakespeare and the Arts .
MARK THORNTON BURNeTT is Professor of Renaissance Studies at Queen's University, Belfast, Northern Ireland. He is the author of Masters and Servants in english Renaissance Drama and Culture: Authority and Obedience, as well as Constructing 'Monsters' in Shakespearean Drama and early Modern Cultureand Filming Shakespeare in the Global Marketplace. ADRIAN STReeTe is Lecturer in Renaissance Literature at Queen's University, Belfast, Northern Ireland. He is the author of Protestantism and Drama in early Modern england,and the co-editor of ReFiguring Mimesis: Representation in early Modern Literatureand The edinburgh Companion to Shakespeare and the Arts.
MARK THORNTON BURNETT is Professor of Renaissance Studies at Queen's University, Belfast, Northern Ireland. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience, as well as Constructing 'Monsters' in Shakespearean Drama and Early Modern Cultureand Filming Shakespeare in the Global Marketplace. ADRIAN STREETE is Lecturer in Renaissance Literature at Queen's University, Belfast, Northern Ireland. He is the author of Protestantism and Drama in Early Modern England,and the co-editor of ReFiguring Mimesis: Representation in Early Modern Literatureand The Edinburgh Companion to Shakespeare and the Arts.
This volume examines the ways in which the sixteenth and seventeenth centuries are represented in television, documentaries, films, pageantry and theatre in a range of cultural and linguistic guises
Over the last one hundred years, many of the events and personalities of the sixteenth and seventeenth centuries have been brought before home, cinema, exhibition, festival and theatrical audiences via a variety of visual media. This collection, for the first time, examines these representations, looking at recent television series, documentaries, feature films, pageantry, theatre and popular culture in a range of cultural and linguistic guises. Filming and Performing Renaissance History opens up wider avenues of interpretive opportunity and substitutes a more generous, nuanced acknowledgement of the ways in which the 'Renaissance' is made to signify across disciplines and in relation to a whole series of events and personalities. Accessing the Renaissance in this fashion generates a genuine sense of the modalities of historical representation, of what the Renaissance 'means' and of how its meanings have been negotiated in modernity.
Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in various cultural and linguistic guises.
'This is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century.' - Robert Shaughnessy, University of Kent, UK 'In this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which ' in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors , and Renaissance role-playing games ' emphasize that the living, breathing period we call the Renaissance is anything but history.' - Greg Col? Semenza, University of Connecticut, USA 'This unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants ... Marvellously focused and rich in scope.' - Ton Hoenselaars, Utrecht University, the Netherlands
'This is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century.' - Robert Shaughnessy, University of Kent, UK 'In this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which ??in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors, and Renaissance role-playing games ??emphasize that the living, breathing period we call the Renaissance is anything but history.' - Greg Col n Semenza, University of Connecticut, USA 'This unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants ... Marvellously focused and rich in scope.' - Ton Hoenselaars, Utrecht University, the Netherlands
??his is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century.??- Robert Shaughnessy, University of Kent, UK ??n this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which - in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors, and Renaissance role-playing games - emphasize that the living, breathing period we call the Renaissance is anything but history.??- Greg Col n Semenza, University of Connecticut, USA ??his unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants... Marvellously focused and rich in scope.??- Ton Hoenselaars, Utrecht University, the Netherlands
??his is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century.??- Robert Shaughnessy, University of Kent, UK ??n this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which - in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors, and Renaissance role-playing games - emphasize that the living, breathing period we call the Renaissance is anything but history.??- Greg Col n Semenza, University of Connecticut, USA ??his unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants... Marvellously focused and rich in scope.??- Ton Hoenselaars, Utrecht University, the Netherlands
'This is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century.' - Robert Shaughnessy, University of Kent, UK 'In this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors, and Renaissance role-playing games emphasize that the living, breathing period we call the Renaissance is anything but history.' - Greg Colon Semenza, University of Connecticut, USA 'This unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants ... Marvellously focused and rich in scope.' - Ton Hoenselaars, Utrecht University, the Netherlands
"This is an exciting, ground-breaking collection from a sterling cast of contributors, which launches our re-imaginings of the English and European Renaissance in film, media and popular culture into the twenty-first century."-- Robert Shaughnessy, University of Kent, UK "In this interdisciplinary, cutting-edge volume, Burnett and Streete have selected eleven...striking essays which in their coverage of topics as diverse as Spanish Shakespeare cinema, hit television shows like The Tudors, and Renaissance role-playing games emphasize that the living, breathing period we call the Renaissance is anything but history."-- Greg Colon Semenza, University of Connecticut, USA "This unique collection of essays looks at the European Renaissance as it is represented in genres like reality shows, television documentaries and series, movies, stage productions, and pageants ... Marvellously focused and rich in scope."-- Ton Hoenselaars, Utrecht University, the Netherlands
Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in various cultural and linguistic guises.
Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in?arious cultural and linguistic guises.
작가정보
목차
List of Figures p. vii Acknowledgements p. viii Notes on the Contributors p. ix Preface p. xii Introduction: Documenting the Renaissance p. 1 The Network King: Re-creating Henry VIII for a Global Television Audience p. 16 Breaking Shakespeare's Image in Late Spanish Drama and Film p. 33 The Touch of Man on Woman: Dramatizing Identity in The Return of Martin Guerre p. 50 'Welcome to Babylon': Performing and Screening the English Revolution p. 65 The Cinematic Treatment of Early Modern Witch Trials p. 83 The Golem, or the Communist 'What You Will' p. 99 Horrible Shakespearean Histories: Performing the Renaissance for and with Children p. 112 Mark Rylance, Henry V and 'Original Practices' at Shakespeare's Globe: History Refashioned p. 127 'There is So Much to See in Rome': The Cinematic Materialities of Martin Luther's Reformation p. 146 The Pageant of History: Staging the Local Past, 1905-39 p. 163 Private Lives and Public Conflicts: The English Renaissance on Film, 1998-2010 p. 178 Epilogue: Documentary Reflections p. 193 Index p. 203 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780230273436 ( 0230273432 ) |
---|---|
발행(출시)일자 | 2011년 03월 29일 |
쪽수 | 212쪽 |
크기 |
145 * 218
* 20
mm
/ 454 g
|
총권수 | 1권 |
언어 | 영어 |
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