Little Bee
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This reading group guide includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Chris Cleave. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.IntroductionLittle Bee, a young Nigerian refugee, has just been released from the British immigration detention center where she has been held under horrific conditions for the past two years, after narrowly escaping a traumatic fate in her homeland of Nigeria. Alone in a foreign country, without a family member, friend, or pound to call her own, she seeks out the only English person she knows. Sarah is a posh young mother and magazine editor with whom Little Bee shares a dark and tumultuous past.They first met on a beach in Nigeria, where Sarah was vacationing with her husband, Andrew, in an effort to save their marriage after an affair, and their brief encounter has haunted each woman for two years. Now together, they face a disturbing past and an uncertain future with the help of Sarah's four-year-old son, Charlie, who refuses to take off his Batman costume. A sense of humor and an unflinching moral compass allow each woman, and the reader, to believe that even in the face of unspeakable odds, humanity can prevail.Questions for Discussion1. "Sad words are just another beauty. A sad story means, this storyteller is alive" (p. 9). For Little Bee and other asylum seekers, the story of their life thus far is often all they have. What happens to the characters that carry their stories with them, both physically and mentally? What happens when we try to forget our past? How much control over their own stories do the characters in the book seem to have?2. Little Bee tells the reader, "We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived" (p. 9). Which characters in the story are left with physical scars? Emotional scars? Do they embrace them as beautiful? Do you have any scars you've come to embrace? Did you feel more connected to Little Bee as a narrator after this pact?3. Little Bee strives to learn the Queen's English in order to survive in the detention center. How does her grasp of the language compare with Charlie's? How does the way each of these two characters handle the English language help to characterize them?4. How did it affect your reading experience to have two narrators? Did you trust one woman more than the other? Did you prefer the voice of one above the other?5. Little Bee credits a small bottle of nail polish for "saving her life" while she was in the detention center (p. 7). Is there any object or act that helps you feel alive and beautiful, even when everything else seems to be falling apart?6. Of the English language Little Bee says, "Every word can defend itself. Just when you go to grab it, it can split into two separate meanings so the understanding closes on empty air" (p. 12). What do you think she means by this? Can you think of any examples of English words that defend themselves? Why is language so important to Little Bee?7. Little Bee says of horror films, "Horror in your country is something you take a dose of to remind yourself that you are not suffering from it" (p. 45). Do you agree? Was reading this novel in any way a dose of horror for you? How did it help you reflect on the presence or lack of horror in your own life?8. Little Bee figures out the best way to kill herself in any given situation, just in case "the men come suddenly." How do these plans help Little Bee reclaim some power? Were you disturbed by this, or were you able to find the humor in some of the scenarios she imagines?9. What does Udo changing her name to Little Bee symbolize for you? How does her
This reading group guide includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Chris Cleave. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book. Introduction Little Bee, a young Nigerian refugee, has just been released from the British immigration detention center where she has been held under horrific conditions for the past two years, after narrowly escaping a traumatic fate in her homeland of Nigeria. Alone in a foreign country, without a family member, friend, or pound to call her own, she seeks out the only English person she knows. Sarah is a posh young mother and magazine editor with whom Little Bee shares a dark and tumultuous past. They first met on a beach in Nigeria, where Sarah was vacationing with her husband, Andrew, in an effort to save their marriage after an affair, and their brief encounter has haunted each woman for two years. Now together, they face a disturbing past and an uncertain future with the help of Sarah''s four-year-old son, Charlie, who refuses to take off his Batman costume. A sense of humor and an unflinching moral compass allow each woman, and the reader, to believe that even in the face of unspeakable odds, humanity can prevail. Questions for Discussion 1. "Sad words are just another beauty. A sad story means, this storyteller is alive" (p. 9). For Little Bee and other asylum seekers, the story of their life thus far is often all they have. What happens to the characters that carry their stories with them, both physically and mentally? What happens when we try to forget our past? How much control over their own stories do the characters in the book seem to have? 2. Little Bee tells the reader, "We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived" (p. 9). Which characters in the story are left with physical scars? Emotional scars? Do they embrace them as beautiful? Do you have any scars you''ve come to embrace? Did you feel more connected to Little Bee as a narrator after this pact? 3. Little Bee strives to learn the Queen''s English in order to survive in the detention center. How does her grasp of the language compare with Charlie''s? How does the way each of these two characters handle the English language help to characterize them? 4. How did it affect your reading experience to have two narrators? Did you trust one woman more than the other? Did you prefer the voice of one above the other? 5. Little Bee credits a small bottle of nail polish for "saving her life" while she was in the detention center (p. 7). Is there any object or act that helps you feel alive and beautiful, even when everything else seems to be falling apart? 6. Of the English language Little Bee says, "Every word can defend itself. Just when you go to grab it, it can split into two separate meanings so the understanding closes on empty air" (p. 12). What do you think she means by this? Can you think of any examples of English words that defend themselves? Why is language so important to Little Bee? 7. Little Bee says of horror films, "Horror in your country is something you take a dose of to remind yourself that you are not suffering from it" (p. 45). Do you agree? Was reading this novel in any way a dose of horror for you? How did it help you reflect on the presence or lack of horror in your own life? 8. Little Bee figures out the best way to kill herself in any given situation, just in case "the men come suddenly." How do these plans help Little Bee reclaim some power? Were you disturbed by this, or were you able to find the humor in some of the scenarios she imagines? 9. What does Udo changing her name to Little Bee symbolize for you? How does her new name offer her protection? Do you think the name suits her? 10. "To have an affair, I began to realize, was a relatively minor transgression. But to really escape from Andrew, to really become myself, I had to go the whole way and fall in love" (p. 161-162). Do you agree with Sarah that an affair is a minor transgression? How did falling in love with someone else help Sarah become herself? What role did Andrew play in perpetuating Sarah''s extramarital affair? 11. When Little Bee finds that Andrew has hanged himself she thinks, "Of course I must save him, whatever it costs me, because he is a human being." And then she thinks, "Of course I must save myself, because I am a human being too" (p. 194). How do the characters in the story decide when to put themselves first and when to offer charity? Is one human life ever more valuable than another? What if one of the lives in question is your own? Enhancing Your Book Club 1. Visit Chris Cleave''s website at www.chriscleave.com. You''ll find videos, reviews, behind-the-book extras and interviews. 2. Little Bee says, "I have noticed, in your country, I can say anything so long as I say that is the proverb in my country. Then people will nod their heads and look very serious" (p. 180). Take this opportunity to make up some proverbs to share with your book club. Are there any sayings from your culture that might be a good start? 3. Little Bee and her sister chose new names for themselves. Have your book club members rename one another. Choose names based on characteristics, like Little Bee''s sister Kindness, or on things in nature, like Little Bee. 4. To find out more about asylum seekers here in the U.S. visit http://www.humanrightsfirst.org/asylum/asylum.htm. A Conversation wth Chris Cleave 1. Why did you choose to open the novel with the quote fromLife in the United Kingdom: A Journey to Citizenship? What does the typo in this quote mean for you? The quote is "Britain is proud of its tradition of providing a safe haven for people fleeting [sic] persecution and conflict." I took it from Life in the United Kingdom, which is the text book given to immigrants preparing for their citizenship test in the UK. It covers British history, government and etiquette. It offers the excellent advice "If you spill a stranger''s drink by accident, it is good manners (and prudent) to offer to buy another." Less gloriously, though, its summary of British history is rather selective, and the work as a whole is riddled with inaccuracies and typographical errors. My belief is that if a refugee is prepared to walk away from a regime that has imprisoned and tortured her, flee to the UK, apply for asylum, and commit to memory the contents of the text book we make compulsory for her, then for our part we should at least be prepared to have that text book professionally copy-edited. The typo in that opening quotation is a nice example of a bureaucracy that is pretending to care, but not pretending very hard. 2. What challenges did you encounter using two narrators? How did using two voices allow you to tell the story more thoroughly? What were some difficulties you faced writing from a female perspective? Sarah and Little Bee are each strong, extraordinary women; how did you show their strength through their very different styles of narration? I knew this was a compelling story but after agonizing over which character would be the best one to narrate it, I realised that the strongest perspective would actually be a dual one. This is a story of two worlds: the developed and the developing, and of the mutual incomprehension that sometimes dooms them to antagonism. So by taking one woman from each side of the divide, and investing each with a compulsion to understand the other, I was able to
A haunting novel about the tenuous friendship that blooms between two disparate strangers--one an illegal Nigerian refugee, the other a recent widow from suburban London.
We don't want to tell you too much about this book. It is a truly special story and we don't want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn't. And it's what happens afterward that is most important. Once you have read it, you'll want to tell everyone about it. When you do, please don't tell them what happens either. The magic is in how it unfolds.
WE DON'T WANT TO TELL YOU TOO MUCH ABOUT THIS BOOK. It is a truly special story and we don't want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn't. And it's what happens afterward that is most important. Once you have read it, you'll want to tell everyone about it. When you do, please don't tell them what happens either. The magic is in how it unfolds.
"An ambitious and fearless gallop from the jungles of Africa via a shocking encounter on a Nigerian beach to the media offices of London and domesticity in leafy suburbia...Cleave immerses the reader in the worlds of his characters with an unshakable confidence." --The Guardian(UK)
"...[an] immensely readable and moving second novel... The character and voice ofLittle Beereveal Cleave at his finest... An affecting story of human triumph."--New York Times Book Review
"...a psychologically charged story of grief, globalization and an unlikely friendship...Cleave's narrative pulses with portentous, nearly spectral energy..."--Kirkus
"...a psychologically charged story of grief, globalization and an unlikely friendship...Cleave's narrative pulses with portentous, nearly spectral energy..." -- Kirkus
"Besides sharp, witty dialogue, an emotionally charged plot and the vivid characters' ethical struggles,Little Beedelivers a timely challenge to reinvigorate our notions of civilised decency." --The Independent(UK)
"Book clubs in search of the nextKite Runnerneed look no further than this astonishing, flawless novel... Cleave (Incendiary) effortlessly moves between alternating viewpoints with lucid, poignant prose and the occasional lighter note. A tension-filled dramatic ending and plenty of moral dilemmas add up to a satisfying, emotional read."--Library Journal
"Book clubs in search of the next Kite Runnerneed look no further than this astonishing, flawless novel... Cleave ( Incendiary) effortlessly moves between alternating viewpoints with lucid, poignant prose and the occasional lighter note. A tension-filled dramatic ending and plenty of moral dilemmas add up to a satisfying, emotional read." -- Library Journal
"Cleave has a Zola-esque ability to write big and deeply....[he] makes the reader think about political issues and care about his characters."--USA Today
"Cleave is a nerves-of-steel storyteller of stealthy power, and this is a novel as resplendent and menacing as life itself."--Booklist(starred review)
"Cleave is a nerves-of-steel storyteller of stealthy power, and this is a novel as resplendent and menacing as life itself." -- Booklist(starred review)
"Every now and then, you come across a character in a book whose personality is so salient and whose story carries such devastating emotional force it's as if she becomes a fixed part of your consciousness. So it is with the charmingly named title character in Chris Cleave's brilliant and unforgettable Little Bee..." -- The Oregonian
"Every now and then, you come across a character in a book whose personality is so salient and whose story carries such devastating emotional force it's as if she becomes a fixed part of your consciousness. So it is with the charmingly named title character in Chris Cleave's brilliant and unforgettableLittle Bee..."--The Oregonian
"... Little Beeis a loud shout of talent." -- Chicago Sun-Times
"...Little Beeis a loud shout of talent."--Chicago Sun-Times
" Little Beewill blow you away.... In restrained, diamond-hard prose, Cleave alternates between these two characters' points of view as he pulls the threads of their dark -- but often funny -- story tight. What unfolds between them... is both surprising and inevitable, thoroughly satisfying if also heart-rending." -- Washington Post
"Little Beewill blow you away.... In restrained, diamond-hard prose, Cleave alternates between these two characters' points of view as he pulls the threads of their dark -- but often funny -- story tight. What unfolds between them... is both surprising and inevitable, thoroughly satisfying if also heart-rending."--Washington Post
"Little Beewill draw you in on the first page and linger in the mind long after the last chapter is closed."--St. Louis Post-Dispatch
"London journalist Cleave's memories of a job feeding asylum-seekers in a U.K. detention center inform this stunning work.... With wry humor, Cleave unravels Bee's tangled history with Sarah, an Englishwoman with deep revelations of her own..." -- People(Four Stars and a People Pick)
"London journalist Cleave's memories of a job feeding asylum-seekers in a U.K. detention center inform this stunning work.... With wry humor, Cleave unravels Bee's tangled history with Sarah, an Englishwoman with deep revelations of her own..."--People(Four Stars and a People Pick)
"Searingly eloquent." --The Daily Mail(UK)
"Stunning."--People(Four Stars and a People Pick)
"The charge, then: buy this book. Resist opening it until you are ready to start reading, for once you begin you'll find yourself unable to stop. ... Prepare yourself for Cleave's poignancy, his control, and the pathos he so effortlessly evinces. Expect astonishment, for this is a work inspiring in depth and style; a work that alters perceptions." -- Bookslut
"The voice that speaks from the first page of Chris Cleave'sLittle Beeis one you might never have heard -- the voice of a smart, wary, heartsick immigrant scarred by the terrors of her past.... Read this urgent and wryly funny novel for its insights into simple humanity, the force that can disarm fear."--O Magazine
"The voice that speaks from the first page of Chris Cleave's Little Beeis one you might never have heard -- the voice of a smart, wary, heartsick immigrant scarred by the terrors of her past.... Read this urgent and wryly funny novel for its insights into simple humanity, the force that can disarm fear." -- O Magazine
"Utterly enthralling page-turner... Novelist Cleave does a brilliant job of making both characters not only believable but memorable.... These compelling voices grip the reader's heart and do not let go even after the book's hyper-tense final page. Little Beeis a harrowing and heartening marvel of a novel." -- Seattle Post-Intelligencer
"Utterly enthralling page-turner... Novelist Cleave does a brilliant job of making both characters not only believable but memorable.... These compelling voices grip the reader's heart and do not let go even after the book's hyper-tense final page.Little Beeis a harrowing and heartening marvel of a novel."--Seattle Post-Intelligencer
"Vividly memorable and provocative... heartwarming and heartbreaking... Cleave paces the story beautifully, lacing it with wit, compassion, and, even at the darkest moments, a searing ray of hope."--Boston Globe
작가정보
저자(글) Cleave, Chris
기본정보
ISBN | 9781416589631 ( 1416589635 ) |
---|---|
발행(출시)일자 | 2009년 02월 10일 |
쪽수 | 271쪽 |
크기 |
168 * 241
* 28
mm
/ 481 g
|
총권수 | 1권 |
언어 | 영어 |
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