What Makes a Great Exhibition?
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Paula Marincola is the Director of the Philadelphia Exhibitions Inititative (PEI).
Paula Marincolais director of the Philadelphia Exhibitions Initiative.
Paula Marincola is the Director of the Philadelphia Exhibitions Inititative (PEI).
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in "blockbuster" exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: "What makes a great exhibition?" Some of the world's leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. "What Makes a Great Exhibition? "investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden's examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of "exhibition and "exhibitionmaker." A thought-provoking volume on the practice of curatorial work and the mission of modern museums, "What Makes A Great Exhibition?" will be indispensable reading for all art professionals and scholars working today.
"A unique compiliation of essays by well-known curators and active participants within this field, it is less an anthology and more an exhibition itself. . . . Despite the authoritative stance from which these essays stem, together they refreshingly bring the discussion back to the true centre of their work: the artwork itself. . . . By bridging the gap between question and answer,What Makes a Great Exhibition'liberates exhibitions to a position of question-catalyst."--Contemporary
"A unique compiliation of essays by well-known curators and active participants within this field, it is less an anthology and more an exhibition itself. . . . Despite the authoritative stance from which these essays stem, together they refreshingly bring the discussion back to the true centre of their work: the artwork itself. . . . By bridging the gap between question and answer, "What Makes a Great Exhibition? "liberates exhibitions to a position of question-catalyst."--"Contemporary"""
"A unique compiliation of essays by well-known curators and active participants within this field, it is less an anthology and more an exhibition itself. . . . Despite the authoritative stance from which these essays stem, together they refreshingly bring the discussion back to the true centre of their work: the artwork itself. . . . By bridging the gap between question and answer, What Makes a Great Exhibition? liberates exhibitions to a position of question-catalyst."-Contemporary
"A unique compiliation of essays by well-known curators and active participants within this field, it is less an anthology and more an exhibition itself. . . . Despite the authoritative stance from which these essays stem, together they refreshingly bring the discussion back to the true centre of their work: the artwork itself. . . . By bridging the gap between question and answer, What Makes a Great Exhibition?liberates exhibitions to a position of question-catalyst." Contemporary
To read a review of What Makes a Great Exhibition?on fallonandrosof.com/artblog please click here. A unique compilation of essays by well-known curators and active participants within this field, it is less an anthology and more an exhibition itself . . . Despite the authoritative stance from which these essays stem, together they refreshingly bring the discussion back to te true centre of their work: the artwork itself.
"With the proliferation of degree courses now churning out graduates in the subject, this will provide informative reading both to those starting their curating careers and those already established in the field."
"With the proliferation of degree courses now churning out graduates in the subject, this will provide informative reading both to those starting their curating careers and those already established in the field."-Helen Sumpter, Time Out London
"With the proliferation of degree courses now churning out graduates in the subject, this will provide informative reading both to those starting their curating careers and those already established in the field."Helen Sumpter, Time Out London
"With the proliferation of degree courses now churning out graduates in the subject, this will provide informative reading both to those starting their curating careers and those already established in the field."-- Time Out London
"With the proliferation of degree courses now churning out graduates in the subject, this will provide informative reading both to those starting their curating careers and those already established in the field."--Time Out London
Introduction: Practice Makes Perfect -Paula Marincola Show and Tell -Robert Storr In Lieu of Higher Ground -Lynne Cooke You Talking To Me? On Curating Group Shows that Give You a Chance to Join the Group -Ralph Rugoff The Unstable Institution -Carlos Basualdo With Our Faces to the Rising Sun -Thelma Golden with Glenn Ligon Mies's New National Gallery: Empty and Full -Detlef Mertins Design and Architecture -Paola Antonelli interviewed by Bennett Simpson Who's afraid of gift-wrapped kazoos? -Jeffrey Kipnis Handy-Crafts: A Doctrine -Glenn Adamson Temple/White Cube/Laboratory -Iwona Blazwick Making Space for Art -Mary Jane Jacob Questions of Practice -Mark Nash Wall Text -Ingrid Schaffner Afterword -Marian Godfrey Acknowledgments -Paula Marincola
작가정보
저자(글) Marincola Paula
목차
Introduction: Practice Makes Perfect p. 9 Show and Tell p. 14 In Lieu of Higher Ground p. 32 You Talking To Me? On Curating Group Shows that Give You a Chance to Join the Group p. 44 The Unstable Institution p. 52 With Our Faces to the Rising Sun p. 62 Mies's New National Gallery: Empty and Full p. 76 Design and Architecture p. 86 Who's afraid of gift-wrapped kazoos? p. 94 Handy-Crafts: A Doctrine p. 108 Temple/White Cube/Laboratory p. 118 Making Space for Art p. 134 Questions of Practice p. 142 Wall Text p. 154 Afterword p. 168 Acknowledgments p. 170 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780970834614 ( 0970834616 ) |
---|---|
발행(출시)일자 | 2007년 02월 01일 |
쪽수 | 184쪽 |
크기 |
164 * 234
* 19
mm
/ 490 g
|
총권수 | 1권 |
언어 | 영어 |
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