º»¹®³»¿ë ¹Ù·Î°¡±â
¹«·á¹è¼Û ¼Òµæ°øÁ¦

ÇØ¿ÜÁÖ¹® [Book] Behind the Lines War Resistance Poetry on the American Home Front Since 1941

Contemporary North American Poetry (University of Iowa Press) | Hardcover
Metres, Philip ÁöÀ½ | University of Iowa Press | 2007³â 05¿ù 01ÀÏ
  • Á¤°¡ : 53,210¿ø
    ÆÇ¸Å°¡ : 47,360¿ø [11%¡é 5,850¿ø ÇÒÀÎ] ÇÒÀÎÄíÆù ¹Þ±â
  • ÅëÇÕÆ÷ÀÎÆ® :
    [±âº»Àû¸³] 480¿ø Àû¸³ [1% Àû¸³] [Ãß°¡Àû¸³] 5¸¸¿ø ÀÌ»ó ±¸¸Å ½Ã 2õ¿ø Ãß°¡Àû¸³ ¾È³» [ȸ¿øÇýÅÃ] ½Ç¹öµî±Þ ÀÌ»ó, 3¸¸¿ø ÀÌ»ó ±¸¸Å ½Ã 2~4% Ãß°¡Àû¸³ ¾È³»
  • Ãß°¡ÇýÅà : µµ¼­¼Òµæ°øÁ¦ ¾È³» Ãß°¡ÇýÅà ´õº¸±â
  • ¹è¼Ûºñ : ¹«·á ¹è¼Ûºñ ¾È³»
  • [¹è¼ÛÀÏÁ¤] Special Order ±Ù¹«ÀÏ ±âÁØ 4 ~ 6ÁÖ À̳» Ãâ°í ¿¹Á¤ ¹è¼ÛÀÏÁ¤ ¾È³»
    ÇØ¿ÜÁÖ¹®µµ¼­´Â ÇØ¿Ü °Å·¡Ã³ »çÁ¤¿¡ ÀÇÇØ ǰÀý/Áö¿¬µÉ¼ö ÀÖ½À´Ï´Ù.
    ½ºÆä¼È¿À´õ µµ¼­³ª Àϼ­ÇØ¿ÜÁÖ¹®µµ¼­¿Í ÇÔ²² ÁÖ¹®½Ã ¹è¼ÛÀÏÀÌ ÀÌ¿¡ ¸ÂÃß¾î Áö¿¬µÇ¿À´Ï, ÀÌÁ¡ À¯ÀÇÇØÁֽñ⠹ٶø´Ï´Ù.

¾Ë¸³´Ï´Ù.

  • ÇØ¿ÜÁÖ¹®µµ¼­´Â °í°´´ÔÀÇ ¿äû¿¡ ÀÇÇØ ÁÖ¹®ÇÏ´Â '°³ÀÎ ¿À´õ' »óǰÀ̱⠶§¹®¿¡, ´Ü¼øÇÑ °í°´º¯½É/Âø¿À·Î ÀÎÇÑ Ãë¼Ò,¹Ýǰ, ±³È¯ÀÇ °æ¿ì 'ÇØ¿ÜÁÖ¹® ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á'¸¦ ºÎ´ãÇÏ¼Å¾ß ÇÕ´Ï´Ù. ÀÌÁ¡ À¯ÀÇÇÏ¿© Áֽñ⠹ٶø´Ï´Ù. ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á : (1)¼­¾çµµ¼­-ÆÇ¸ÅÁ¤°¡ÀÇ 12%, (2)ÀϺ»µµ¼­-ÆÇ¸ÅÁ¤°¡ÀÇ 7% (¹Ýǰ/Ãë¼Ò ¼ö¼ö·á´Â, ¼öÀÔÁ¦¹Ýºñ¿ë(FedEx¼ö¼Ûºñ¿ë, °ü¼¼»çºñ, º¸¼¼Ã¢°í·á, ³»·ú ¿î¼Ûºñ, Åë°üºñ µî)°ú Àç°í¸®½ºÅ©(¹ÌÆÇ¸Å ¸®½ºÅ©, ȯÂ÷¼Õ)¿¡ µû¸¥ ºñ¿ëÀ» Æ÷ÇÔÇϸç, ¼­¾çµµ¼­´Â ÆÇ¸ÅÁ¤°¡ÀÇ 12%, ÀϺ»µµ¼­´Â ÆÇ¸ÅÁ¤°¡ÀÇ 7%°¡ Àû¿ëµË´Ï´Ù.)
  • ¿Ü±¹µµ¼­ÀÇ °æ¿ì ÇØ¿ÜÁ¦°øÁ¤º¸·Î¸¸ ¼­ºñ½ºµÇ¾î ¹ÌÇ¥±âµÈ Á¤º¸°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù. ÇÊ¿äÇÑ Á¤º¸°¡ ÀÖÀ»°æ¿ì 1:1 ¹®ÀÇ°Ô½ÃÆÇ À» ÀÌ¿ëÇÏ¿© ÁֽʽÿÀ.
»óǰ»ó¼¼Á¤º¸
ISBN 9780877459989(0877459983)
Âʼö 282ÂÊ
¾ð¾î English
Å©±â 164(W) X 235(H) X 23(T) (mm)
Á¦º»ÇüÅ Hardcover
ÃѱǼö 1±Ç

Ã¥¼Ò°³

ÀÌ Ã¥ÀÌ ¼ÓÇÑ ºÐ¾ß

"Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet's relationship to dissenting political movements and the nation."--BOOK JACKET.
ÀÌ Ã¥ÀÇ »óǰ±¸¼º
* ÇØ´ç »óǰÀÇ »ó¼¼±¸¼ºÁ¤º¸¸¦ ÁغñÁßÀÔ´Ï´Ù.

¸ñÂ÷


Preface ix
Acknowledgments xi
Introduction 1(24)
PART 1 World War II: The Poetics of Conscientious Objection 25(68)
Robert Lowell's Refusals: Memories of War Resistance in Prison 27(24)
William Stafford's Lost Landmarks: The Poetics of Pacifism and the Limits of Lyric 51(22)
William Everson and the Fine Arts Camp: From Utopian Hopes to a Chronicle of Division 73(20)
PART 2 Vietnam: The War on the Homefront 93(60)
Bringing It All Back Home: From Anthology to Action 95(32)
Denise Levertov's Distant Witness: The Politics of Identification 127(26)
PART 3 The Persian Gulf War: Protest and the Postmodern 153(66)
The Gump War: Lyric Resistance Poetry in Crisis 155(24)
June Jordan's Righteous Certainty: Poetic Address in Resistance Poetry 179(18)
Barrett Watten's Bad History: A Counter-Epic of the Gulf War 197(22)
CODA Proliferations: Sites of Resistance since September 11, 2001 219(18)
Notes 237(18)
Works Cited 255(18)
Index 273

°£´Ü¸®ºä (0)

µµ¼­ ±¸¸Å ÈÄ ¸®ºä¸¦ ÀÛ¼ºÇϽøé ÅëÇÕÆ÷ÀÎÆ®¸¦ µå¸³´Ï´Ù.
°áÁ¦ 90ÀÏ À̳» ÀÛ¼º ½Ã 50¿ø / ¹ß¼Û ÈÄ 5ÀÏ À̳» ÀÛ¼º ½Ã 100¿ø
(Æ÷ÀÎÆ®´Â ÀÛ¼º ÈÄ ´ÙÀ½ ³¯ Àû¸³µÇ¸ç, µµ¼­ ¹ß¼Û Àü ÀÛ¼º ½Ã¿¡´Â ¹ß¼Û ÈÄ ÀÍÀÏ¿¡ Àû¸³µË´Ï´Ù.
¿Ü¼­/eBook/À½¹Ý/DVD/GIFT ¹× ÀâÁö »óǰ Á¦¿Ü) ¾È³»
0/1000ÀÚ
ÄÁÅÙÃ÷Æò°¡
5Á¡ ¸¸Á¡¿¡
0Á¡ 1Á¡ 2Á¡ 3Á¡ 4Á¡ 5Á¡
À̹ÌÁö÷ºÎ
(ÆÄÀϿ뷮Àº 1MB ÀÌÇÏÀ̸ç, ÆÄÀÏÇü½ÄÀº jpg, jpeg ÆÄÀϸ¸ ¾÷·Îµå °¡´ÉÇÕ´Ï´Ù.)

    ±³È¯/¹Ýǰ/ǰÀý¾È³»

    ¡Ø »óǰ ¼³¸í¿¡ ¹Ýǰ/±³È¯ °ü·ÃÇÑ ¾È³»°¡ ÀÖ´Â °æ¿ì ±× ³»¿ëÀ» ¿ì¼±À¸·Î ÇÕ´Ï´Ù. (¾÷ü »çÁ¤¿¡ µû¶ó ´Þ¶óÁú ¼ö ÀÖ½À´Ï´Ù.)

    ±³È¯/¹Ýǰ/ǰÀý¾È³»
    ¹Ýǰ/±³È¯¹æ¹ý ¸¶ÀÌ·ë > ÁÖ¹®°ü¸® > ÁÖ¹®/¹è¼Û³»¿ª > ÁÖ¹®Á¶È¸ > ¹Ýǰ/±³È¯½Åû ,
    [1:1»ó´ã>¹Ýǰ/±³È¯/ȯºÒ] ¶Ç´Â °í°´¼¾ÅÍ (1544-1900)

    ¡Ø ¿ÀǸ¶ÄÏ, ÇØ¿Ü¹è¼ÛÁÖ¹®, ±âÇÁÆ® ÁÖ¹®½Ã [1:1»ó´ã>¹Ýǰ/±³È¯/ȯºÒ]
        ¶Ç´Â °í°´¼¾ÅÍ (1544-1900)
    ¹Ýǰ/±³È¯°¡´É ±â°£ º¯½É¹ÝǰÀÇ °æ¿ì ¼ö·É ÈÄ 7ÀÏ À̳»,
    »óǰÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»
    ¹Ýǰ/±³È¯ºñ¿ë º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹Ýǰ/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
    ¹Ýǰ/±³È¯ ºÒ°¡ »çÀ¯
    • ¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óǰ µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
      (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)
    • ¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óǰ µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
      ¿¹) È­Àåǰ, ½Äǰ, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî
    • º¹Á¦°¡ °¡´ÉÇÑ »óǰ µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
      ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý
    • ¼ÒºñÀÚÀÇ ¿äû¿¡ µû¶ó °³º°ÀûÀ¸·Î ÁÖ¹® Á¦À۵Ǵ »óǰÀÇ °æ¿ì ((1)ÇØ¿ÜÁÖ¹®µµ¼­)
    • µðÁöÅÐ ÄÁÅÙÃ÷ÀÎ eBook, ¿Àµð¿ÀºÏ µîÀ» 1ȸ ÀÌ»ó ´Ù¿î·Îµå¸¦ ¹Þ¾ÒÀ» °æ¿ì
    • ½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆÇ¸Å°¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    • ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡
      ÇØ´çµÇ´Â °æ¿ì
    (1) ÇØ¿ÜÁÖ¹®µµ¼­ : ÀÌ¿ëÀÚÀÇ ¿äû¿¡ ÀÇÇÑ °³ÀÎÁÖ¹®»óǰÀ¸·Î ´Ü¼øº¯½É ¹× Âø¿À·Î ÀÎÇÑ Ãë¼Ò/±³È¯/¹Ýǰ ½Ã ¡®ÇØ¿ÜÁÖ¹® ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á¡¯ °í°´ ºÎ´ã (ÇØ¿ÜÁÖ¹® ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á : ¨ç¼­¾çµµ¼­-ÆÇ¸ÅÁ¤°¡ÀÇ 12%, ¨èÀϺ»µµ¼­-ÆÇ¸ÅÁ¤°¡ÀÇ 7%¸¦ Àû¿ë)
    »óǰ ǰÀý °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ ǰÀý/Áö¿¬µÉ ¼ö ÀÖÀ¸¸ç, ǰÀý ½Ã °ü·Ã »çÇ׿¡ ´ëÇØ¼­´Â
    À̸ÞÀϰú ¹®ÀÚ·Î ¾È³»µå¸®°Ú½À´Ï´Ù.
    ¼ÒºñÀÚ ÇÇÇØº¸»ó
    ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó
    • »óǰÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, ǰÁúº¸Áõ ¹× ÇÇÇØº¸»ó µî¿¡ °üÇÑ »çÇ×Àº
      ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê
    • ´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ
      ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

    ÀÌ ºÐ¾ßÀÇ º£½ºÆ®

    ´õº¸±â+

    ÀÌ ºÐ¾ßÀÇ ½Å°£

    ´õº¸±â+

    ¹Ù·Î°¡±â

    • ¿ìÃø È®ÀåÇü ¹è³Ê 2
    • ¿ìÃø È®ÀåÇü ¹è³Ê 2

    ÃÖ±Ù º» »óǰ