Cultural Agency in the Americas
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북카드
'Cultural Agency' refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases, making them inspirations.
Doris Sommer is Ira Jewell Williams Jr. Professor of Romance Languages and Director of Graduate Studies in Spanish at Harvard University. Her books include Bilingual Aesthetics: A New Sentimental Education, also published by Duke University Press.
"Cultural agency" refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggest that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents. Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Contributors reflect, for example, on the paradoxical programming and reception of a state-controlled Cuban radio station that connects listeners at home and abroad; on the intricacies of indigenous protests in Brazil; and the formulation of cultural policies in cosmopolitan Mexico City. One contributor notes that trauma theory targets individual victims when it should address collective memory as it is worked through in performance and ritual; another examines how Mapuche leaders in Argentina perceived the pitfalls of ethnic essentialism and developed new ways to intervene inlocal government. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, the essays in this book encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond. Contributors. Arturo Arias, Claudia Briones, Nestor Garcia Canclini, Denise Corte, Juan Carlos Godenzzi, Charles R. Hale, Ariana Hernandez-Reguant, Claudio Lomnitz, Jesus Martin Barbero, J. Lorand Matory, Rosamel Millaman, Diane M. Nelson, Mary Louise Pratt, Alcida Rita Ramos, Doris Sommer, Diana Taylor, Santiago Villaveces
An exploration of how cultural agency can be used by different organizations and artists to rethink and challenge the notion of a globalized society
"In titling itself as it does, Cultural Agency in the Americasmakes a foundational gesture. The thing to be founded is a scholarly praxis, a blueprint for academic work committed to advancing energetic, creative, nonharmonious but nonviolent democratic relations."-Mary Louise Pratt, from her afterword
??n titling itself as it does, Cultural Agency in the Americasmakes a foundational gesture. The thing to be founded is a scholarly praxis, a blueprint for academic work committed to advancing energetic, creative, nonharmonious but nonviolent democratic relations.??Mary Louise Pratt, from her afterword
"In titling itself as it does, Cultural Agency makes a foundational gesture. The thing to be founded is a scholarly praxis, a blueprint for academic work committed to advancing energetic, creative, non-harmonious but non-violent democratic relations."-Mary Louis Pratt, from her afterword
"Perhaps the biggest contribution of this book is what it tells us about the difference between Latin American public intellectuals and cultural agents and their relation to the social processes in which they are inserted, and that of American academics condemned to the radical divide that marks scholarly life from public life in American universities." --Silvia L. Lopez," A Contracorriente"
"The collected pieces provide a sampling of the especially vibrant, generous, and hopeful cultural agency--which the older term social activism refers to to some extent--occurring in heterogeneous Latin American cultures seeking new social forms in the ambiance of postmodernism." --Henry Berry, "Midwest Book Review"
An exploration of how cultural agency can be used by different organizations and artists to rethink and challenge the notion of a globalized society
An exploration of how cultural agency can be used by different organizations and artists to rethink and challenge the notion of a globalized society.
Contributors: Arturo Arias, Jes? Mart? Barbero, Claudia Briones, N?tor Garc? Canclini, Denise Corte, Juan Carlos Godenzzi, Charles R. Hale, Ariana Hern?dez-Reguant, Claudio Lomnitz, J. Lorand Matory, Rosamel Millam?, Diane M. Nelson, Mary Louise Pratt, Alcida Rita Ramos, Doris Sommer, Diana Taylor, Santiago Villaveces
An exploration of how cultural agency can be used by different organizations and artists to rethink and challenge the notion of a globalized society
"Cultural agency" refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggests that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents. Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Contributors reflect, for example, on the paradoxical programming and reception of a state-controlled Cuban radio station that connects listeners at home and abroad, on the intricacies of indigenous protests in Brazil, and the formulation of cultural policies in cosmopolitan Mexico City. One contributor notes that trauma theory targets individual victims when it should address collective memory as it is worked through in performance and ritual; another examines how Mapuche leaders in Argentina perceived the pitfalls of ethnic essentialism and developed new ways to intervene in local government. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, these essays encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond.
"Cultural agency"refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggests that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents. Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, these essays encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond.
작가정보
저자(글) Sommer, Doris
목차
Introduction: Wiggle Room p. 1 Media p. 29 Intervening from and through Research Practice: Meditations on the Cuzco Workshop p. 31 Between Technology and Culture: Communication and Modernity in Latin America p. 37 DNA of Performance p. 52 A City that Improvises Its Globalization p. 82 Maneuvers p. 91 The Cultural Agency of Wounded Bodies Politic: Ethnicity and Gender as Prosthetic Support in Postwar Guatemala p. 93 Tradition, Transnationalism, and Gender in the Afro-Brazilian Candomble p. 121 The Discourses of Diversity: Language, Ethnicity, and Interculturality in Latin America p. 146 Conspiracy on the Sidelines: How the Maya Won the War p. 167 Radio Taino and the Cuban Quest for Identi ... que? p. 178 Olodum's Transcultural Spaces: Community and Difference in Afro-Brazilian Contemporary Performance p. 203 Political Construction and Cultural Instrumentalities of Indigenism in Brazil, with Echoes from Latin America p. 229 Questioning State Geographies of Inclusion in Argentina: The Cultural Politics of Organizations with Mapuche Leadership and Philosophy p. 248 Cautions p. 279 Cultural Agency and Political Struggle in the Era of the Indio Permitido p. 281 The Crossroads of Faith: Heroism and Melancholia in the Colombian "Violentologists" (1980-2000) p. 305 Afterword: A Fax, Two Moles, a Consul, and a Judge p. 326 Afterword: Spread It Around! p. 334 References p. 341 Contributors p. 371 Index p. 375 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780822334996 ( 0822334992 ) |
---|---|
발행(출시)일자 | 2006년 01월 19일 |
쪽수 | 392쪽 |
크기 |
164 * 244
* 25
mm
/ 585 g
|
총권수 | 1권 |
언어 | 영어 |
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