Collected Poems
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북카드
Chapter 1 PART I PAID ON BOTH SIDES A Charade To Cecil Day-Lewis Characters LintzgarthNattrass John NowerAaron Shaw***** DickSeth Shaw George****The SpySeth's Brother WalterBernard KurtSeth's Mother*** CulleyAnne Shaw Stephen** ZeppelJohn Nower's Servant Number Six Sturton JoanMother of John Nower Trudy*** Father Christmas* The Doctor Bo**** Po***** The Man-Woman The Doctor's Boy** The Photographer* The Announcer* The Chief Guest* The Butler* The Chorus The starred parts should be doubled [No scenery is required. The stage should have a curtained-off recess. The distinction between the two hostile parties should be marked by different coloured arm-bands. the chorus, which should not consist of more than three persons, wear similar and distinctive clothing.] [Enter trudy and walter.] trudy: You've only just heard? walter: Yes. A breakdown at the Mill needed attention, kept me all morning. I guessed no harm. But lately, riding at leisure, Dick met me, panted disaster. I came here at once. How did they get him? trudy: In Kettledale above Colefangs road passes where high banks overhang dangerous from ambush. To Colefangs had to go, would speak with Layard, Jerry and Hunter with him only. They must have stolen news, for Red Shaw waited with ten, so Jerry said, till for last time unconscious. Hunter was killed at first shot. They fought, exhausted ammunition, a brave defence but fight no more. walter: Has Joan been told yet? trudy: Yes. It couldn't be helped. Shock, starting birth pangs, caused a premature delivery. walter: How is she? trudy: Bad, I believe. But here's the doctor. [Enter doctor.] Well, Doctor, how are things going? doctor: Better thanks. We've had a hard fight, but it's going to be all right. She'll pull through and have a fine infant as well. My God, I'm thirsty after all that. Where can I get a drink? walter: Here in the next room, Doctor. [Exeunt. Back curtains draw. joan with child and corpse.] joan: Not from this life, not from this life is any To keep; sleep, day and play would not help there, Dangerous to new ghost; new ghost learns from many, Learns from old termers what death is, where. Who's jealous of his latest company, From one day to the next final to us, A changed one, would use sorrow to deny Sorrow, to replace death? Sorrow is sleeping thus. Unforgetting is not today's forgetting For yesterday, not bedrid scorning, But a new begetting, An unforgiving morning. [Baby squeals.] O see, he is impatient To pass beyond this pretty lisping time: There'll be some crying out when he's come there. [Back curtains close.] chorus: Can speak of trouble, pressure on men Born all the time, brought forward into light For warm dark moan. Though heart fears all heart cries for, rebuffs with mortal beat Skyfall, the legs sucked under, adder's bite. That prize held out of reach Guides the unwilling tread, The asking breath, Till on attended bed Or in untracked dishonour comes to each His natural death. We pass our days Speak, man to men, easy, learning to point, To jump before ladies, to show our scars: But no, We were mistaken, these faces are not ours. They smile no more when we smile back: Eyes, ears, tongue, nostrils bring News of revolt, inadequate counsel to <
Between 1927 and his death in 1973, W. H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken. This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.
To commemorate the centennial of W. H. Auden's birth, the Modern Library offers this elegant edition of the collected poems of one of the greatest poets of the twentieth century. This volume includes all the poems that Auden wished to preserve, in a text that includes his final revisions, with corrections based on the latest research. Auden divided his poems into sections that corresponded to what he referred to as chapters in his life, each one beginning with a change in his inner life or external circumstances: the moment in 1933 when he first knew "exactly what it means to love one's neighbor as oneself"; his move from Britain to America in 1939; his first summer in Italy in 1948; his move to a summerhouse in Austria in 1958; and his return to England in 1972. Auden's work has perhaps the widest range and the greatest depth of any English poet of the past three centuries. From the anxious warnings of his early verse through the expansive historical perspectives of his middle years to the celebrations and thanksgiving in his later work, Auden wrote in a voice that addressed readers personally rather than as part of a collective audience. His styles and forms extend from ballads and songs to haiku and limericks to sonnets, sestinas, prose poems, and dozens of other constructions of his own invention. His tone ranges from spirited comedy to memorable profundityoften within the same work. His poems manage to be secular and sacred, philosophical and erotic, personal and universal. "All the poems I have written were written for love," Auden once said. This book includes his famous early poems about transient love ("Lay your sleeping head, my love," "Stop all the clocks, cut off the telephone") and his later poems about enduring love ("In Sickness and in Health," "First Things First"). The book also includes Auden's longer, more thematically varied poems, from the expressionist charade "Paid on Both Sides" to the formal couplets of "New Year Letter"; the darkly comic sequel to The Tempest, "The Sea and the Mirror"; and a baroque eclogue set in a wartime bar, "The Age of Anxiety." This new edition includes a critical appreciation of Auden by Edward Mendelson, the editor of the present volume and Auden's literary executor. "W. H. Auden had the greatest gifts of any of our poets in the twentieth century, the greatest lap full of seed." James Fenton,The New York Review of Books "At the beginning of the new century, [Auden] is an indispensable poet. Even people who don't read poems often turn to poetry at moments when it matters, and Auden matters now." Adam Gopnik,The New Yorker
To commemorate the centennial of W. H. Auden's birth, the Modern Library offers this elegant edition of the collected poems of one of the greatest poets of the twentieth century. This volume includes all the poems that Auden wished to preserve, in a text that includes his final revisions, with corrections based on the latest research. Auden divided his poems into sections that corresponded to what he referred to as chapters in his life, each one beginning with a change in his inner life or external circumstances: the moment in 1933 when he first knew "exactly what it means to love one's neighbor as oneself"; his move from Britain to America in 1939; his first summer in Italy in 1948; his move to a summerhouse in Austria in 1958; and his return to England in 1972. Auden's work has perhaps the widest range and the greatest depth of any English poet of the past three centuries. From the anxious warnings of his early verse through the expansive historical perspectives of his middle years to the celebrations and thanksgiving in his later work, Auden wrote in a voice that addressed readers personally rather than as part of a collective audience. His styles and forms extend from ballads and songs to haiku and limericks to sonnets, sestinas, prose poems, and dozens of other constructions of his own invention. His tone ranges from spirited comedy to memorable profundityoften within the same work. His poems manage to be secular and sacred, philosophical and erotic, personal and universal. "All the poems I have written were written for love," Auden once said. This book includes his famous early poems about transient love ("Lay your sleeping head, my love," "Stop all the clocks, cut off the telephone") and his later poems about enduring love ("In Sickness and in Health," "First Things First"). The book also includes Auden's longer, more thematically varied poems, from the expressionist charade "Paid on Both Sides" to the formal couplets of "New Year Letter"; the darkly comic sequel to The Tempest, "The Sea and the Mirror"; and a baroque eclogue set in a wartime bar, "The Age of Anxiety." This new edition includes a critical appreciation of Auden by Edward Mendelson, the editor of the present volume and Auden's literary executor. "W. H. Auden had the greatest gifts of any of our poets in the twentieth century, the greatest lap full of seed." James Fenton, The New York Review of Books "At the beginning of the new century, [Auden] is an indispensable poet. Even people who don't read poems often turn to poetry at moments when it matters, and Auden matters now." Adam Gopnik, The New Yorker
To commemorate the centennial of W. H. Auden's birth, the Modern Library offers this elegant edition of the collected poems of one of the greatest poets of the twentieth century. This volume includes all the poems that Auden wished to preserve, in a text that includes his final revisions, with corrections based on the latest research. Auden divided his poems into sections that corresponded to what he referred to as chapters in his life, each one beginning with a change in his inner life or external circumstances: the moment in 1933 when he first knew "exactly what it means to love one's neighbor as oneself"; his move from Britain to America in 1939; his first summer in Italy in 1948; his move to a summerhouse in Austria in 1958; and his return to England in 1972. Auden's work has perhaps the widest range and the greatest depth of any English poet of the past three centuries. From the anxious warnings of his early verse through the expansive historical perspectives of his middle years to the celebrations and thanksgiving in his later work, Auden wrote in a voice that addressed readers personally rather than as part of a collective audience. His styles and forms extend from ballads and songs to haiku and limericks to sonnets, sestinas, prose poems, and dozens of other constructions of his own invention. His tone ranges from spirited comedy to memorable profundityoften within the same work. His poems manage to be secular and sacred, philosophical and erotic, personal and universal. "All the poems I have written were written for love," Auden once said. This book includes his famous early poems about transient love ("Lay your sleeping head, my love," "Stop all the clocks, cut off the telephone") and his later poems about enduring love ("In Sickness and in Health," "First Things First"). The book also includes Auden's longer, more thematically varied poems, from the expressionist charade "Paid on Both Sides" to the formal couplets of "New Year Letter"; the darkly comic sequel to The Tempest, "The Sea and the Mirror"; and a baroque eclogue set in a wartime bar, "The Age of Anxiety." This new edition includes a critical appreciation of Auden by Edward Mendelson, the editor of the present volume and Auden's literary executor. "W. H. Auden had the greatest gifts of any of our poets in the twentieth century, the greatest lap full of seed." James Fenton,The New York Review of Books "At the beginning of the new century, [Auden] is an indispensable poet. Even people who don't read poems often turn to poetry at moments when it matters, and Auden matters now." Adam Gopnik,The New Yorker
작가정보
기본정보
ISBN | 9780679643500 ( 0679643508 ) |
---|---|
발행(출시)일자 | 2007년 02월 13일 |
쪽수 | 976쪽 |
크기 |
163 * 237
* 51
mm
/ 1293 g
|
총권수 | 1권 |
언어 | 영어 |
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