Gertrude Stein
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패키지
북카드
Gertrude Stein(1874-1946) was a major literary figure at the center of a circle of expatriate writers and artists living in Paris during the early decades of the twentieth century. She is the author ofThree Lives, Tender Buttons,andThe Making of Americans,among other works.The Autobiography of Alice B. Toklaswas a best-seller in the United States.Joan Retallackis John D. and Catherine T. MacArthur Professor of Humanities at Bard College. She is the author of many books, includingAfterrimages, How To Do Things With Words,andThe Poethical Wager(UC Press).
"One of the best introductions to Gertrude Stein's work I've ever read. Joan Retallack's research is thorough and impressive, and she has done an outstanding job of assembling a valuable and interesting collection of Stein's writings."--Hank Lazer, author ofLyric & Spirit
"One of the best introductions to Gertrude Stein's work I've ever read. Joan Retallack's research is thorough and impressive, and she has done an outstanding job of assembling a valuable and interesting collection of Stein's writings."--Hank Lazer, author of "Lyric & Spirit" "This exquisitely edited volume of Gertrude Stein's writings is far more informative than the usual 'selected works.' Out of the immense opus that Stein produced over a long and prolific career, Joan Retallack has chosen telling pieces, so as to show both the extraordinary thematic, generic, and stylistic variety, and the coherence of her life's work. Meanwhile, Retallack's delightful and informative introduction can stand on its own as a luminous contribution to our understanding of Gertrude Stein's work and her place in literary history. The fascinating documents that end the book can be regarded as the sweet at the end of a fully satisfying and memorable experience. This is an essential book for both new and long-term discoverers of the wonder of Gertrude Stein's writings."--Lyn Hejinian, author of "The Language of Inquiry" "Retallack's illuminating introduction is a vital contribution to our knowledge of Stein, revelatory of such issues as racism while viewing Stein's presence on the page and in the ear as performative play that creates a sensual apprehension of a new time (a perception of the activity of happiness). The selections and introduction demonstrate how Stein changed reading and perceiving."--Leslie Scalapino, author of "It's go in horizontal"
This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era--from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.
This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era--from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.
This selection of Gertrude Stein's work is taken from the three-decade period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. As much as possible, editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present" that parallels many of the most important technological and scientific developments of her era-from moving pictures to Einstein's revision of our understanding of space and time. Retallack's insightful essay also addresses the most persistent questions raised by this always original, sometimes troubling author and her body of work: how American is it? how cubist is it? how racist is it? what was Stein doing in occupied France during World War II? And, most important, what is the best way to read Stein's texts in our contemporary moment? In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.
List of Abbreviations Introduction TEXTS Melanctha (excerpt, from Three Lives, 1905) The Making of Americans (excerpt, 1911) Picasso (1911) Flirting at the Bon Marche (1911) Bon Marche Weather (1911) Orta or One Dancing (excerpt, 1912) Susie Asado (1912) Tender Buttons: Objects, Food (1913) Scenes from the Door (from Useful Knowledge, 1918) Photograph (1920) A Movie (1920) An Elucidation (1923) If I Told Him, A Completed Portrait of Picasso (1923) Fourteen Anonymous Portraits (1923) Are There Arithmetics (1923) Business in Baltimore (1925) Composition as Explanation (1926) Patriarchal Poetry (excerpt, 1927) Sentences and Paragraphs (from How to Write, 1930) History or Messages from History (1930) We Came. A History (1930) Stanzas in Meditation (excerpt, 1932) Lecture I (from Narration, 1934) Identity a Poem (1935) What Are Master-pieces and Why Are There So Few of Them (1936) DOCUMENTS "With Apologies to Gertrude Stein," newspaper advertisement Two love notes from Stein to Toklas (n.d.): "Dear dainty delicious darling" and "Ir/Re/Sis/Ti /Belle" Virgil Thomson, Letter to Gertrude Stein (May 30, 1933) "Stein Opera Sung by All-Negro Cast," New York Times (February 9, 1934) Thornton Wilder, Introduction to Narration (1935) Selected Bibliography Acknowledgments of Permissions
작가정보
저자(글) Stein, Gertrude
소설가 거트루드 스타인의 문학과 삶을 담은 자서전 <길 잃은 세대를 위하여>. 유명한 미술품 수집가이자 소설가, 극작가이며 시인이었던 거트루드 스타인은 20세기 전반의 미국과 유럽 문화에 지대한 영향을 미쳤다. 그녀는 헤밍웨이를 비롯해서 20세기 초반 '길 잃은 세대'라고 불리는 파리의 미국인 작가들과 예술가들에게 물질적, 정신적 대모 역할을 했다.
목차
List of Abbreviations p. vii Introduction p. 3 Texts Melanctha (excerpt, from Three Lives, 1905) p. 85 The Making of Americans (excerpt, 1911) p. 99 Picasso (1911) p. 104 Flirting at the Bon Marche (1911) p. 107 Bon Marche Weather (1911) p. 110 Orta or One Dancing (excerpt, 1912) p. 112 Susie Asado (1912) p. 125 Tender Buttons: Objects, Food (1913) p. 126 Scenes from the Door (from Useful Knowledge, 1918) p. 164 Photograph (1920) p. 167 A Movie (1920) p. 171 An Elucidation (1923) p. 174 If I Told Him, A Completed Portrait of Picasso (1923) p. 190 Fourteen Anonymous Portraits (1923) p. 194 Are There Arithmetics (1923) p. 198 Business in Baltimore (1925) p. 201 Composition as Explanation (1926) p. 215 Patriarchal Poetry (excerpt, 1927) p. 226 Sentences and Paragraphs (from How to Write, 1930) p. 242 History or Messages from History (1930) p. 254 We Came. A History (1930) p. 274 Stanzas in Meditation (excerpt, 1932) p. 280 Lecture I (from Narration, 1934) p. 287 Identity a Poem (1935) p. 301 What Are Master-pieces and Why Are There So Few of Them (1936) p. 308 Documents "With Apologies to Gertrude Stein," newspaper advertisement (n.d.) p. 321 Two love notes from Stein to Toklas (n.d.): "Dear dainty delicious darling" and "Ir/Re/Sis/Ti/Belle" p. 322 Virgil Thomson, Letter to Gertrude Stein (May 30, 1933) p. 324 "Stein Opera Sung by All-Negro Cast," New York Times (February 9, 1934) p. 328 Thornton Wilder, Introduction to Narration (1935) p. 332 Selected Bibliography p. 337 Acknowledgments of Permissions p. 347 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780520248069 ( 0520248066 ) |
---|---|
발행(출시)일자 | 2008년 04월 14일 |
쪽수 | 360쪽 |
크기 |
140 * 208
* 28
mm
/ 454 g
|
총권수 | 1권 |
언어 | 영어 |
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