What to Listen for in Music
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Aaron Copland's well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prizewinning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his "uniquely American music that reflects the very soul and experience of our people." During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.
'One of the most helpful, sensible, and enjoyable discourses on the subject ever published.'-Victor Record ReviewIn this superb analysis of how to listen to music intelligently, Aaron Copland raises two basic questions: Are you hearing everything that is going on??Are you really being sensitive to it??If you cannot answer yes to both questions, you owe it to yourself to read this book.?Whether you listen to Mozart or Duke Ellington, Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms.?This classic work, the only book of its kind written by an eminent American composer, features:- Chapters on contemporary music and film music- Recommended recordings for each chapter- A selected list of books for further reading and reference In this edition, leading music critic Alan Rich continues Copland's discussion of contemporary music for today's listeners and traces the composer's success in bringing music lovers 'closer to the magical mysteries of the music we can hear and want to hear better.''By far the best thing of its kind yet to appear.'-Modern MusicWith a Foreword and Epilogue by Alan Rich and a New Appreciation by Leonard Slatkin
Now in trade paperback: 'The definitive guide to musical enjoyment' (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
Now in trade paperback: ?The definitive guide to musical enjoyment? ( Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
Now in trade paperback: The definitive guide to musical enjoyment?(Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
Now in trade paperback: ??he definitive guide to musical enjoyment??( Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
"One of the most helpful, sensible, and enjoyable discourses on the subject ever published." -- Victor Record Review "By far the best thing of its kind yet to appear." -- Modern Music
One of the most helpful, sensible, and enjoyable discourses on the subject ever published.??ictor Record Review By far the best thing of its kind yet to appear.??odern Music
??ne of the most helpful, sensible, and enjoyable discourses on the subject ever published.????Victor Record Review ??y far the best thing of its kind yet to appear.????Modern Music
작가정보
저자(글) Copland, Aaron
목차
- What to Listen for in MusicAaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1. Preliminaries
2. How We Listen
3. The Creative Process in Music
4. The Four Elements of Music-I. Rhythm
5. The Four Elements of Music-II. Melody
6. The Four Elements of Music-III. Harmony
7. The Four Elements of Music-IV. Tone Color
8. Musical Texture
9. Musical Structure
10. Fundamental Forms-I. Sectional Form
11. Fundamental Forms-II. Variation Form
12. Fundamental Forms-III. Fugal Form
13. Fundamental Forms-IV. Sonata Form
14. Fundamental Forms-V. Free Forms
15. Opera and Music Drama
16. Contemporary Music
17. Film Music
18. From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index
기본정보
ISBN | 9780451226402 ( 0451226402 ) |
---|---|
발행(출시)일자 | 2009년 03월 03일 |
쪽수 | 320쪽 |
크기 |
137 * 202
* 18
mm
/ 263 g
|
총권수 | 1권 |
언어 | 영어 |
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