The Lady in the Lake
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- 해외주문도서는 고객님의 요청에 의해 주문하는 '개인 오더' 상품이기 때문에, 단순한 고객변심/착오로 인한 취소, 반품, 교환의 경우 '해외주문 반품/취소 수수료'를 부담하셔야 합니다. 이점 유의하여 주시기 바랍니다.
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패키지
북카드
ONE The Treloar Building was, and is, on Olive Street, near Sixth, on the west side. The sidewalk in front of it had been built of black and white rubber blocks. They were taking them up now to give to the government, and a hatless pale man with a face like a building superintendent was watching the work and looking as if it was breaking his heart. I went past him through an arcade of specialty shops into a vast black and gold lobby. The Gillerlain Company was on the seventh floor, in front, behind swinging double plate glass doors bound in platinum. Their reception room had Chinese rugs, dull silver walls, angular but elaborate furniture, sharp shiny bits of abstract sculpture on pedastals and a tall display in a triangular showcase in the corner. On tiers and steps and islands and promontories of shining mirror-glass it seemed to contain every fancy bottle and box that had ever been designed. There were creams and powders and soaps and toilet waters for every season and every occasion. There were perfumes in tall thin bottles that looked as if a breath would blow them over and perfumes in little pastel phials tied with ducky satin bows, like the little girls at a dancing class. The cream of the crop seemed to be something very small and simple in a squat amber bottle. It was in the middle at eye height, had a lot of space to itself, and was labeled Gillerlain Regal, The Champagne of Perfumes. It was definitely the stuff to get. One drop of that in the hollow of your throat and the matched pink pearls started falling on you like summer rain. A neat little blonde sat off in a far corner at a small PBX, behind a railing and well out of harm's way. At a flat desk in line with the doors was a tall, lean, dark-haired lovely whose name, according to the tilted embossed plaque on her desk, was Miss Adrienne Fromsett. She wore a steel gray business suit and under the jacket a dark blue shirt and a man's tie of lighter shade. The edges of the folded handkerchief in the breast pocket looked sharp enough to slice bread. She wore a linked bracelet and no other jewelry. Her dark hair was parted and fell in loose but not unstudied waves. She had a smooth ivory skin and rather severe eyebrows and large dark eyes that looked as if they might warm up at the right time and in the right place. I put my plain card, the one without the tommy gun in the corner, on her desk and asked to see Mr. Derace Kingsley. She looked at the card and said: "Have you an appointment?" "No appointment." "It is very difficult to see Mr. Kingsley without an appointment." That wasn't anything I could argue about. "What is the nature of your business, Mr. Marlowe?" "Personal." "I see. Does Mr. Kingsley know you, Mr. Marlowe?" "I don't think so. He may have heard my name. You might say I'm from Lieutenant M'Gee." "And does Mr. Kingsley know Lieutenant M'Gee?" She put my card beside a pile of freshly typed letterheads. She leaned back and put one arm on the desk and tapped lightly with a small gold pencil. I grinned at her. The little blonde at the PBX cocked a shell-like ear and smiled a small fluffy smile. She looked playful and eager, but not quite sure of herself, like a new kitten in a house where they don't care much about kittens. "I'm hoping he does," I said. "But maybe the best way to find out is to ask him." She initialed three letters rapidly, to keep from throwing her pen set at me. She spoke again without looking up. "Mr. Kingsley is in conference. I'll send your card in when I have an opportunity." I thanked her and went and sat in a chromium and leather chair that was a lot more comfortable than it looked. Time passed and silence descended on the scene. Nobody came in or went out. Miss Fromsett's elegan
A couple of missing wivesone a rich man's and one a poor man'sbecome the objects of Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.
A couple of missing wivesone a rich man's and one a poor man'sbecome the objects of Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.
"Raymond Chandler is a master." --The New York Times "[Chandler] wrote as if pain hurt and life mattered." --The New Yorker "Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious." --Robert B. Parker, The New York Times Book Review "Philip Marlowe remains the quintessential urban private eye." --Los Angeles Times "Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist." The Boston Book Review "Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler's prose. . . . He wrote like an angel." --Literary Review "[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision." --Joyce Carol Oates, The New York Review of Books "Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence." Ross Macdonald "Raymond Chandler is a star of the first magnitude." --Erle Stanley Gardner "Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since." --Paul Auster "[Chandler]'s the perfect novelist for our times. He takes us into a different world, a world that's like ours, but isn't. " --Carolyn See
"Raymond Chandler is a master." -- The New York Times "[Chandler] wrote as if pain hurt and life mattered." -- The New Yorker "Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious." --Robert B. Parker, The New York Times Book Review "Philip Marlowe remains the quintessential urban private eye." -- Los Angeles Times "Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist." The Boston Book Review "Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler's prose. . . . He wrote like an angel." -- Literary Review "[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision." --Joyce Carol Oates, The New York Review of Books "Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence." Ross Macdonald "Raymond Chandler is a star of the first magnitude." --Erle Stanley Gardner "Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since." --Paul Auster "[Chandler]'s the perfect novelist for our times. He takes us into a different world, a world that's like ours, but isn't. " --Carolyn See
작가정보
저자(글) Chandler, Raymond
미국의 대표적인 추리작가로 하드보일드 문체의 대가. 1888년 미국 시카고에서 태어나 많은 시간을 영국에서 보냈다. 1910년대에는 런던의 몇몇 신문사에서 기자 생활을 하며 시와 수필을 썼다. 이 당시에 쓴 시와 수필에서는 기사 영웅담과 이상 사회에 대한 동경이 드러나 있어 필립 말로가 가진 감수성과 강한 정의감이 여기에서 비롯되었음을 알 수 있다. 많은 직업을 거친 끝에 석유 회사에 부사장까지 올랐으나 음주와 장기결근으로 쫓겨난 그는 1930년대부터 펄프 매거진에 범죄 단편들을 기고하기 시작하여 젊은 시절 고전 영문학에 열정을 바치던 시절과는 다른 새로운 문학인생을 시작한다. 1939년 발표한 첫 장편 <빅 슬립>이 큰 성공을 거둔 뒤, 1940년 <안녕 내 사랑>, 1942년 <하이 윈도우>, 1943년 <호수의 여인>, 그 후 6년 뒤에 <리틀 시스터>를 발표하였다. 이 작품에는 헐리우드에서 느낀 환멸이 그대로 반영되어 있다. 1954년 후기의 걸작 <기나긴 이별>을 출판한 그는 18세 연상의 사랑하는 아내 시시가 세상을 떠난 뒤 실의에 빠져 알코올에 중독되어 지내다가 1959년 세상을 떠났다. 그가 창조한 필립 말로는 후대 하드보일드 작가들에게 지대한 영향을 미쳤다.
기본정보
ISBN | 9780394758251 ( 0394758250 ) |
---|---|
발행(출시)일자 | 1988년 08월 12일 |
쪽수 | 272쪽 |
크기 |
132 * 201
* 15
mm
/ 272 g
|
총권수 | 1권 |
언어 | 영어 |
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