The Boy in the Striped Pajamas
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1. Discuss the relationship between Bruno and Gretel. Why does Bruno seem younger than nine? In a traditional fable, characters are usually one-sided. How might Bruno and Gretel be considered one-dimensional? 2. At age 12, Gretel is the proper age for membership in the League of Young Girls, a branch of Hitler's Youth Organization. Why do you think she is not a member, especially since her father is a high-ranking officer in Hitler's army? 3. What is it about the house at Out-With that makes Bruno feel "cold and unsafe"? How is this feeling perpetuated as he encounters people like Pavel, Maria, Lt. Kotler, and Shmuel? 4. Describe his reaction when he first sees the people in the striped pajamas. What does Gretel mean when she says, "Something about the way [Bruno] was watching made her feel suddenly nervous"? (p. 28) How does this statement foreshadow Bruno's ultimate demise? 5. Bruno asks his father about the people outside their house at Auschwitz. His father answers, "They're not people at all Bruno." (p. 53) Discuss the horror of this attitude. How does his father's statement make Bruno more curious about Out-With? 6. Explain what Bruno's mother means when she says, "We don't have the luxury of thinking." (p. 13) Identify scenes from the novel that Bruno's mother isn't happy about their life at Out-With. Debate whether she is unhappy being away from Berlin, or whether she is angry about her husband's position. How does Bruno's grandmother react to her son's military role? 7. When Bruno and his family board the train for Auschwitz, he notices an over-crowded train headed in the same direction. How does he later make the connection between Shmuel and that train? How are both trains symbolic of each boy's final journey? 8. Bruno issues a protest about leaving Berlin. His father responds, "Do you think that I would have made such a success of my life if I hadn't learned when to argue and when to keep my mouth shut and follow orders?" (p. 49) What question might Bruno's father ask at the end of the novel? 9. A pun is most often seen as humorous. But, in this novel the narrator uses dark or solemn puns like Out-With and Fury to convey certain meanings. Bruno is simply mispronouncing the real words, but the author is clearly asking the reader to consider a double meaning to these words. Discuss the use of this wordplay as a literary device. What is the narrator trying to convey to the reader? How do these words further communicate the horror of the situation? 10. When Bruno dresses in the filthy striped pajamas, he remembers something his grandmother once said. "You wear the right outfit and you feel like the person you're pretending to be." (p, 205) How is this true for Bruno? What about his father? What does this statement contribute to the overall meaning of the story? 11. Discuss the moral or message of the novel. What new insights and understandings does John Boyne want the reader to gain from reading this story? 12. Discuss the differences in a fable, an allegory, and a proverb. How might this story fit into each genre?
Chapter One Bruno Makes a Discovery One afternoon, when Bruno came home from school, he was surprised to find Maria, the family's maid who always kept her head bowed and never looked up from the carpet standing in his bedroom, pulling all his belongings out of the wardrobe and packing them in four large wooden crates, even the things he'd hidden at the back that belonged to him and were nobody else's business. 'What are you doing?' he asked in as polite a tone as he could muster, for although he wasn't happy to come home and find someone going through his possessions, his mother had always told him that he was to treat Maria respectfully and not just imitate the way Father spoke to her. 'You take your hands off my things.' Maria shook her head and pointed towards the staircase behind him, where Bruno's mother had just appeared. She was a tall woman with long red hair that she bundled into a sort of net behind her head, and she was twisting her hands together nervously as if there was something she didn't want to have to say or something she didn't want to have to believe. 'Mother,' said Bruno, marching towards her, 'what's going on? Why is Maria going through my things?' 'She's packing them,' explained Mother. 'Packing them?' he asked, running quickly through the events of the previous few days to consider whether he'd been particularly naughty or had used those words out loud that he wasn't allowed to use and was being sent away because of it. He couldn't think of anything though. In fact over the last few days he had behaved in a perfectly decent manner to everyone and couldn't remember causing any chaos at all. 'Why?' he asked then. 'What have I done?' Mother had walked into her own bedroom by then but Lars, the butler, was in there, packing her things too. She sighed and threw her hands in the air in frustration before march-ing back to the staircase, followed by Bruno, who wasn't going to let the matter drop without an explanation. 'Mother,' he insisted. 'What's going on? Are we moving?' 'Come downstairs with me,' said Mother, leading the way towards the large dining room where the Fury had been to dinner the week before. 'We'll talk down there.' Bruno ran downstairs and even passed her out on the staircase so that he was waiting in the dining room when she arrived. He looked at her without saying anything for a moment and thought to himself that she couldn't have applied her make-up correctly that morning because the rims of her eyes were more red than usual, like his own after he'd been causing chaos and got into trouble and ended up crying. 'Now, you don't have to worry, Bruno,' said Mother, sitting down in the chair where the beautiful blonde woman who had come to dinner with the Fury had sat and waved at him when Father closed the doors. 'In fact if anything it's going to be a great adventure.' 'What is?' he asked. 'Am I being sent away?' 'No, not just you,' she said, looking as if she might smile for a moment but thinking better of it. 'We all are. Your father and I, Gretel and you. All four of us.' Bruno thought about this and frowned. He wasn't particularly bothered if Gretel was being sent away because she was a Hopeless Case and caused nothing but trouble for him. But it seemed a little unfair that they all had to go with her.
Berlin 1942 When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.
Bored and lonely after his family moves from Berlin to a place called "Out-With" in 1942, Bruno, the son of a Nazi officer, befriends a boy in striped pajamas who lives behind a wire fence.
Berlin 1942 When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.
Berlin 1942 When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.
Berlin 1942. When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.
Berlin 1942 When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences. From the Hardcover edition.
"Certain to be one of the publishing sensations of 2006." -The Observer (U.K.) "A memorable and moving story." -The Oxford Times (U.K.) "A small wonder of a book." -The Guardian (U.K.) "A book so simple, so seemingly effortless, that it's almost perfect." -The Irish Independent "An extraordinary book." -The Irish Examiner
"Certain to be one of the publishing sensations of 2006." -The Observer(U.K.) "A memorable and moving story." -The Oxford Times(U.K.) "A small wonder of a book." -The Guardian(U.K.) "A book so simple, so seemingly effortless, that it's almost perfect." -The Irish Independent "An extraordinary book." -The Irish Examiner
" Certain to be one of the publishing sensations of 2006." -"The Observer "(U.K.) " A memorable and moving story." -"The Oxford Times "(U.K.) " A small wonder of a book." -"The Guardian "(U.K.) " A book so simple, so seemingly effortless, that it's almost perfect." -"The Irish Independent "" An extraordinary book." -"The Irish Examiner "
"Certain to be one of the publishing sensations of 2006." -"The Observer "(U.K.) "A memorable and moving story." -"The Oxford Times "(U.K.) "A small wonder of a book." -"The Guardian "(U.K.) "A book so simple, so seemingly effortless, that it's almost perfect." -"The Irish Independent ""An extraordinary book." -"The Irish Examiner "
"Certain to be one of the publishing sensations of 2006." - The Observer(U.K.) "A memorable and moving story." - The Oxford Times(U.K.) "A small wonder of a book." - The Guardian(U.K.) "A book so simple, so seemingly effortless, that it's almost perfect." - The Irish Independent "An extraordinary book." - The Irish Examiner
"Certain to be one of the publishing sensations of 2006." -The Observer(U.K.) "A memorable and moving story." -The Oxford Times(U.K.) "A small wonder of a book." -The Guardian(U.K.) "A book so simple, so seemingly effortless, that it's almost perfect." -The Irish Independent "An extraordinary book." -The Irish Examiner
작가정보
저자(글) John Boyne
1971년 아일랜드 더블린에서 태어났다. 더블린 트리니티 대학교에서 영문학을, 이스트 앵글리아 대학교에서 문예 창작을 공부하여 석사 학위를 받았다. 그 뒤 고향에 있는 대형 서점 ‘워터스톤스’의 지점에 입사하여 삼 년간 판매원으로 일하다가 런던에 있는 본사로 옮겨 일 년 동안 근무했다. 그리고 다시 더블린으로 돌아와 전업 작가로 활동하기 시작했다. '줄무늬 파자마를 입은 소년'은 26개 언어권에 소개되어 출간될 예정이며 영화로도 만들어지고 있다. 또한 2007년 카네기 상 후보작으로 선정되면서 그의 명성을 높여 주었다. 작품으로는 256세의 주인공이 역사상 유명한 인물들과 함께 했던 자신의 생애를 돌아본다는 내용의 '시간 도둑The Thief of Time', 미 서부의 흥행사였던 버팔로 빌코디의 일대기를 그린 '황야의 카우보이들The Congress of Rough Riders', 희대의 살인마 닥터 크리픈을 다룬 '크리픈Crippen' 등이 있다.
기본정보
ISBN | 9780385751063 ( 0385751060 ) |
---|---|
발행(출시)일자 | 2006년 09월 12일 |
쪽수 | 224쪽 |
크기 |
142 * 206
* 30
mm
/ 317 g
|
총권수 | 1권 |
언어 | 영어 |
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