Pulphead
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John Jeremiah Sullivanis a writer at large forGQ,a contributing editor atHarper's Magazine,and the southern editor ofThe Paris Review.He is the winner of a Whiting Writers' Award for emerging writers and a National Magazine Award for feature writing. Born in Louisville, Kentucky, he currently lives in Wilmington, North Carolina, with his wife and two daughters. He is the author ofBlood Horses(FSG, 2004).
John Jeremiah Sullivanis a contributing writer for The New York Times Magazineand the southern editor of The Paris Review. He writes for GQ, Harper's Magazine, and Oxford American, and is the author of Blood Horses. Sullivan lives in Wilmington, North Carolina.
John Jeremiah Sullivanisa contributing writer for The New York Times Magazineand the southern editor of The Paris Review. He writes for GQ, Harper's Magazine, and Oxford American, and is the author of Blood Horses. Sullivan lives in Wilmington, North Carolina.
"A sharp-eyed, uniquely humane tour of America's cultural landscape--from high to low to lower than low--by the award-winning young star of the literary nonfiction world In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us--with a laidback, erudite Southern charm that's all his own--how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV's Real World, who've generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina--and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we've never heard told this way. It's like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we've never imagined to be true. Of course we don't know whether to laugh or cry when faced with this reflection--it's our inevitable sob-guffaws that attest to the power of Sullivan's work"--"A collection of nonfiction essays"--
A New York Times Notable Book for 2011 One of Library Journal's Best Books of 2011 A sharp-eyed, uniquely humane tour of America's cultural landscapefrom high to low to lower than lowby the award-winning young star of the literary nonfiction world In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows uswith a laidback, erudite Southern charm that's all his ownhow we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV's Real World, who've generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrinaand back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we've never heard told this way. It's like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we've never imagined to be true. Of course we don't know whether to laugh or cry when faced with this reflectionit's our inevitable sob-guffaws that attest to the power of Sullivan's work.
A sharp-eyed, uniquely humane tour of America's cultural landscapefrom high to low to lower than lowby the award-winning young star of the literary nonfiction world In Pulphead,John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows uswith a laidback, erudite Southern charm that's all his ownhow we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV's Real World,who've generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrinaand back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we've never heard told this way. It's like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we've never imagined to be true. Of course we don't know whether to laugh or cry when faced with this reflectionit's our inevitable sob-guffaws that attest to the power of Sullivan's work.
"Sullivan seems able to do almost anything, to work in any register, and not just within a single piece but often in the span of a single paragraph... Pulpheadis the best, and most important, collection of magazine writing since Wallace's A Supposedly Fun Thing I'll Never Do Again...Sullivan's writing is a bizarrely coherent, novel, and generous pastiche of the biblical, the demotic, the regionally gusty and the erudite." The New York Times Book Review [ Pulpheadis] a big and sustaining pile ofas I've heard it put about certain people's fried chickencrunchy goodness . . . What's impressive about Pulpheadis the way these disparate essays cohere into a memoirlike whole. The putty that binds them together is Mr. Sullivan's steady and unhurried voice. Reading him, I felt the way Mr. Sullivan does while listening to a Bunny Wailer song called 'Let Him Go.' That is, I felt 'like a puck on an air-hockey table that's been switched on.' Like well-made songs, his essays don't just have strong verses and choruses but bridges, too, unexpected bits that make subtle harmonic connections . . . The book has its grotesques, for sure. But they are genuine and appear here in a way that put me in mind of one of Flannery O'Connor's indelible utterances. 'Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks,' O'Connor said, ''I say it is because we are still able to recognize one.'" The New York Times "Sullivan's essays have won two National Magazine Awards, and here his omnivorous intellect analyzes Michael Jackson, Christian rock, post-Katrina New Orleans, Axl Rose and the obscure 19th century naturalist Constantine Rafinesque. His compulsive honesty and wildly intelligent prose recall the work of American masters of New Journalism like Hunter S. Thompson and Tom Wolfe." Time "Sullivan's essays stay with you, like good short storiesand like accomplished short fiction, they often will, over time, reveal a fuller meaning . . . Whether he ponders the legacy of a long-dead French scientist or the unlikely cultural trajectory of Christian rock, Sullivan imbues his narrative subjects with a broader urgency reminiscent of other great practitioners of the essay-profile, such as New Yorkerwriters Joseph Mitchell and A. J. Liebling or Gay Talese during his '60s Esquireheyday . . . [ Pulphead] reinforces [Sullivan's] standing as among the best of his generation's essayists." Bookforum "[The essays in Pulpheadare] among the liveliest magazine features written by anyone in the past 10 years . . . What they have in common, though, whether low or high of brow, is their author''s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects'' and his own foibles . . . a collection that shows why Sullivan might be the best magazine writer around." NPR "One ascendant talent who deserves to be widely read and encouraged is John Jeremiah Sullivan . . . Pulpheadis one of the most involving collections of essays to appear in many a year." Larry McMurtry, Harper's Magazine "Each beautifully crafted essay in John Jeremiah Sullivan''s collection Pulpheadis a self-contained world...Sullivan''s masterful essays invite an honest confrontation with reality, especially when considered in light of one another.... Pulpheadcompels its readers to consider each as an equal sum in the bizarre arithmetic of American identity . . . [Sullivan is] as red-hot a writer as they come." BookPage The age-old strangeness of American pop culture gets dissected with hilarious and revelatory precision...Sullivan writes an extraordinary prose that''s stuffed with off-beat insight gleaned from rapt, appalled observations and suffused with a hang-dog charm. The result is an arresting take on the American imagination. Publishers Weekly(starred review)
"Sullivan's essays have won two National Magazine Awards, and here his omnivorous intellect analyzes Michael Jackson, Christian rock, post-Katrina New Orleans, Axl Rose and the obscure 19th century naturalist Constantine Rafinesque. His compulsive honesty and wildly intelligent prose recall the work of American masters of New Journalism like Hunter S. Thompson and Tom Wolfe." Time "Sullivan's essays stay with you, like good short storiesand like accomplished short fiction, they often will, over time, reveal a fuller meaning . . . Whether he ponders the legacy of a long-dead French scientist or the unlikely cultural trajectory of Christian rock, Sullivan imbues his narrative subjects with a broader urgency reminiscent of other great practitioners of the essay-profile, such as New Yorkerwriters Joseph Mitchell and A. J. Liebling or Gay Talese during his '60s Esquireheyday . . . [ Pulphead] reinforces [Sullivan's] standing as among the best of his generation's essayists." Bookforum The age-old strangeness of American pop culture gets dissected with hilarious and revelatory precision...Sullivan writes an extraordinary prose that's stuffed with off-beat insight gleaned from rapt, appalled observations and suffused with a hang-dog charm. The result is an arresting take on the American imagination. Publishers Weekly(starred review)
The age-old strangeness of American pop culture gets dissected with hilarious and revelatory precision...Sullivan writes an extraordinary prose that's stuffed with off-beat insight gleaned from rapt, appalled observations and suffused with a hang-dog charm. The result is an arresting take on the American imagination. Publishers Weekly(starred review)
작가정보
저자(글) Sullivan, John Jeremiah
〈뉴욕 타임스 매거진〉 전속 필진이자 〈파리 리뷰〉의 남부 담당 편집자로 활동 중이다. 〈GQ〉 〈하퍼스 매거진〉 〈옥스퍼드 아메리칸〉 등 다양한 잡지에 글을 기고했는데, 《펄프헤드》가 〈타임〉 〈뉴욕 타임스〉 〈보스턴 글로브〉, 그리고 아마존 등의 ‘2011년 최고의 책’에 선정되면서 본격적으로 알려졌다. 〈뉴요커〉의 제임스 우드는 그를 레이먼드 카버에 비교하는 동시에 “에머슨과 소로의 분위기”도 가지고 있다고 표현했다. 다른 지면에서는 그를 두고 새로운 톰 울프, 데이비드 포스터 월리스, 헌터 S. 톰슨, 혹은 이 세 사람을 합친 작가로 일컫기도 했다. 저서로 《혈통마Blood Horses》 《펄프헤드Pulphead》가 있다. 노스캐롤라이나주 윌밍턴에서 아내와 딸들과 거주하고 있다.
목차
- Upon This Rock
Feet in Smoke
Mr. Lytle: An Essay
At a Shelter (After Katrina)
Getting Down to What is Really Real
Michael
The Final Comeback of Axl Rose
American Grotesque
La'Hwi'Ne'Ski: Career of an Eccentric Naturalist
Unnamed Caves
Unknown Bards
The Last Wailer
Violence of the Lambs
Peyton's Place
기본정보
ISBN | 9780374532901 ( 0374532907 ) |
---|---|
발행(출시)일자 | 2011년 10월 25일 |
쪽수 | 384쪽 |
크기 |
127 * 191
* 30
mm
/ 295 g
|
총권수 | 1권 |
언어 | 영어 |
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