The Field of Cultural Production
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Pierre Bourdieu is professo of Sociology at the College de France. His numerous other worlds include Homo Academicus and Language and Symbolic Power.
During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles.The Field of Cultural Productionbrings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption.Bourdieu addresses many of the burning issues that have consumed literary, art, and cultural criticism over the past decade: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority.
During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Productionbrings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a hightly original apprach to tge study of literary and artistic works, addressing many of the key issues that have preoccupied literary, art, and cultural criticism in the lat twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural prodycts what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyses the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.
Replete with madwomen, murderers, musicians, and mystics, "Lonely Woman" dramatically interweaves the lives of five women. It remains Takako Takahashi's most sustained and multifaceted fictional realization of her concept of "loneliness."
Since the early 1970s, French sociologist Bourdieu has become a major theoretical voice in the critical study of cultural practices. This volume brings together Bourdieu's major essays on art, literature, and culture, published between 1968 and 1987. It includes articles appearing in English for the first time, others previously published in book and journals but not always readily accessible, and a series of three lectures presented as the Christian Gauss Seminars in Criticism at Princeton U. in 1986, here published for the first time in any language.
"Since the early 1970s, French sociologist Bourdieu has become a major theoretical voice in the critical study of cultural practices. This volume brings together Bourdieu's major essays on art, literature, and culture, published between 1968 and 1987. It includes articles appearing in English for the first time, others previously published in book and journals but not always readily accessible, and a series of three lectures presented as the Christian Gauss Seminars in Criticism at Princeton U. in 1986, here published for the first time in any language." -- Booknews
Elaborating on a theory of the cultural field, this book situates artistic works within the social conditions of their production, circulation, and consumption.
Elaborating on a theory of the cultural field, this book situates artistic works within the social conditions of their production, circulation, and consumption.
As we have come to expect from him, Pierre Bourdieu's lucid analysis of the field of cultural production once again provides us with key terms for udnerstanding the issues at the forefront of current critical debate. His accounts of the economy of symbolic capital and of cultural power relations will undoubtedly become classic formulations, shaping future work on the sociology of culture.
"As we have come to expect from him, Pierre Bourdieu's lucid analysis of the field of cultural production once again provides us with key terms for udnerstanding the issues at the forefront of current critical debate. His accounts of the economy of symbolic capital and of cultural power relations will undoubtedly become classic formulations, shaping future work on the sociology of culture. " -- Lisa Jardine, University of London
"Brings together Bourdieu's most important writings on art, literature, and aesthetics. Bourdieu's analysis of the economy of symbolic capital and of cultural power relations will undoubtedly become classic formulations." -- Lisa Jardine, author of Worldly Goods: A New History of the Renaissance
작가정보
저자(글) Bourdieu, Pierre
Pierre Bourdieu (1930?2002) was one of the most influential social scientists of the twentieth century. A professor of sociology at the Coll?ge de France, he is the author of thirty-six books, including Distinction, named one of the twentieth century’s ten most important works of sociology.
목차
Preface Editor's Introduction: Pierre Bourdieu on Art, Literature and Culture p. 1 The Field of Cultural Production The Field of Cultural Production, or: The Economic World Reversed p. 29 The Production of Belief: Contribution to an Economy of Symbolic Goods p. 74 The Market of Symbolic Goods p. 112 Flaubert and the French Literary Field Is the Structure of Sentimental Education an Instance of Social Self-analysis? p. 145 Field of Power, Literary Field and Habitus p. 161 Principles for a Sociology of Cultural Works p. 176 Flaubert's Point of View p. 192 The Pure Gaze: Essays on Art Outline of a Sociological Theory of Art Perception p. 215 Manet and the Institutionalization of Anomie p. 238 The Historical Genesis of a Pure Aesthetic p. 254 Notes p. 267 Selected Bibliography p. 306 Index p. 310 Table of Contents provided by Blackwell. All Rights Reserved.
기본정보
ISBN | 9780231082877 ( 0231082878 ) |
---|---|
발행(출시)일자 | 1994년 04월 21일 |
쪽수 | 322쪽 |
크기 |
150 * 234
* 18
mm
/ 454 g
|
총권수 | 1권 |
언어 | 영어 |
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