Passing
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Nella Larsen, one of the most acclaimed and influential writers of the Harlem Renaissance, was born Nellie Walker on April 13, 1891, in Chicago. In the 1910s she came to New York, where she worked as a nurse and a librarian, and in 1919 she married a research physicist. She began publishing stories in the mid-1920s and published her first novel, Quicksand, in 1928. Passing came out the following year. Larsen was awarded a William E. Harmon Bronze Award for Distinguished Achievement Among Negroes and a Guggenheim fellowship. Encountering personal and professional struggles, she was unable to have her third novel accepted for publication and by the end of the 1930s had stopped writing altogether. She worked full time as a nurse until her death in 1964.
Emily Bernard is the author of Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. Her other books include Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten (2001), which was a New York Times Notable Book of the Year; Some of My Best Friends: Writers on Interracial Friendships (2004), chosen by the New York Public Library as a Book for the Teen Age; and Michelle Obama: The First Lady in Photographs (2009), a book she coauthored with Deborah Willis, which received a 2010 NAACP Image Award. Her essays have been published in several anthologies and journals, such as The American Scholar, Oxford American magazine, The Best American Essays, Best African American Essays, and The Best Creative Nonfiction. She is a professor of English and Critical Race and Ethnic Studies at the University of Vermont.
Thadious M. Davis is Geraldine R. Segal Professor of American Social Thought and Professor of English at the University of Pennsylvania and the author of Nella Larsen: Novelist of the Harlem Renaissance. She previously taught at Vanderbilt University, Brown University, and the University of North Carolina at Chapel Hill. She has been a fellow at the Newberry Library in Chicago, the Huntington Library in San Marino, California, and the Center for Scholars and Writers at the New York Public Library. She is the editor of the Penguin Classics edition of Nella Larsen’s Quicksand.
목차
Introduction: Nella Larsen's Erotics of Race p. ix Acknowledgments p. xxix A Note on the Text p. xxxi The Text of Passing p. 1 Backgrounds and Contexts p. 83 Reviews p. 85 "Passing" Is a Novel of Longings (April 27, 1929) p. 85 Beyond the Color Line (April 28, 1929) p. 85 The Color Line (April 28, 1929) p. 87 The Dilemma of Mixed Race: Another Study of the Color-line in New York (May 1, 1929) p. 88 As in a Looking Glass (May 3, 1929) p. 90 Touch of the Tar-brush (May 18, 1929) p. 91 Passing (June 1929) p. 93 The Cat Came Back (June 5, 1929) p. 94 Novel of Race Consciousness (June 23, 1929) p. 96 Passing (July 1929) p. 97 Passing (July 1929) p. 99 Passing (Aug. 1929) p. 99 Do They Always Return? (Sept. 28, 1929) p. 101 Passing (Dec. 1929) p. 102 Passing (Dec. 12, 1929) p. 102 Contemporary Coverage of Passing and Race p. 105 When Is a Caucasian Not a Caucasian? (March 2, 1911) p. 105 Writer Says Brazil Has No Color Line (Oct. 1925) p. 107 Does It Pay to "Pass?" (Aug. 20, 1927) p. 107 From White Negroes (May-June 1928) p. 109 3,000 Negroes Cross the Line Each Year (July 12, 1928) p. 111 From Negro to Caucasion, Or How the Ethiopian Is Changing His Skin (1929) p. 112 Crossing the Color Line (July 28, 1929) p. 117 From Crossing the Color Line (Aug. 26, 1931) p. 121 75,000 Pass in Philadelphia Every Day (Dec. 19, 1931) p. 123 Careful Lyncher! He May Be Your Brother (Jan. 21, 1932) p. 124 Blonde Girl Was 'Passing' (Jan. 23, 1932) p. 125 Virginia Is Still Hounding 'White' Negroes Who 'Pass' p. 126 The Rhinelander/Jones Case p. 129 Society Youth Weds Cabman's Daughter (Nov. 14, 1924) p. 129 Poor Girl to Fight Hubby's Parents (Dec. 26, 1924) p. 130 From Calls Rhinelander Dupe of Girl He Wed (Nov. 10, 1925) p. 133 From Loved Rhinelander, Wife's Letters Say (Nov. 13, 1925) p. 134 From Rhinelander Bares Love Secrets (Nov. 21, 1925) p. 137 From Kip's "Soul Message" Notes Read (Nov. 28. 1925) p. 138 From Rhinelander Jury Reaches a Decision after Twelve Hours (Dec. 5, 1925) p. 145 [Rhinelander Editorial], The Crisis (Jan. 1926) p. 147 Rhinelander Gets a Fair Deal (Jan. 26, 1926) p. 147 Mrs. Rhinelander to Sail (July 16, 1926) p. 148 About Nella Larsen p. 149 New Author Unearthed Right Here in Harlem (May 23, 1928) p. 149 Behind the Backs of Books and Authors (April 13, 1929) p. 150 Jean Blackwell Hutson to Louise Fox (Aug. 1, 1969) p. 151 Author's Statements p. 152 [Nella Larsen Imes, Guggenheim Application] p. 152 [In Defense of Sanctuary] p. 156 Letters p. 158 To Carl Van Vechten [1925] p. 158 To Charles S. Johnson [Aug. 1926] p. 158 To Eddie Wasserman [April 3, 1928] p. 161 To Eddie Wasserman [April 5, 1928] p. 161 To Dorothy Peterson [n.d.] p. 162 To Dorothy Peterson [July 19, 1927] p. 163 To Dorothy Peterson [July 21, 1927] p. 164 To Dorothy Peterson [Aug. 2, 1927] p. 166 To Langston Hughes [n.d.] p. 167 To Langston Hughes [1930] p. 168 To Carl Van Vechten [April 15, 1929] p. 168 To Gertrude Stein (Jan. 26, 1931) p. 169 To Carl Van Vechten [May 14, 1932] p. 170 The Tragic Mulatto (A) p. 171 The Quadroons p. 171 From The Garies and Their Friends p. 180 From Clotel p. 192 From Iola Leroy p. 200 From An Imperative Duty p. 207 The Father of Desiree's Baby p. 213 From Pudd'nhead Wilson p. 218 From The House Behind the Cedars p. 220 The Octoroon p. 227 Near White p. 227 Mulatto p. 227 From Imitation of Life p. 229 Selections from Stories and Novels of Passing: "The Moment of Regret" p. 243 From Iola Leroy p. 243 From The Autobiography of an Ex-Colored Man p. 248 From Flight p. 257 From Plum Bun p. 262 From Black No More p. 270 Passing p. 281 Selected Writings from the Harlem Renaissance p. 285 The Mulatto to His Critics p. 285 The Sleeper Wakes p. 285 Heritage p. 308 Two Who Crossed a Line p. 311 Criteria of Negro Art p. 312 Freedom p. 320 From The Negro-Art Hokum p. 324 From Nigger Heaven p. 326 Passing for White, Passing for Colored, Passing for Negroes Plus p. 332 Criticism p. 335 Nella Larsen's Passing: A Study in Irony p. 337 Nella Larsen's Passing: A Problem of Interpretation p. 342 Nella Larsen: Mystery Woman of the Harlem Renaissance p. 350 From Passing for What? Aspects of Identity in Nella Larsen's Novels p. 356 [From Black Female Sexuality in Passing] p. 363 Nella Larsen's Harlem Aesthetic p. 379 From Miscegenation and "The Dicta of Race and Class": The Rhinelander Case and Nella Larsen's Passing p. 387 Clare Kendry's "True" Colors: Race and Class Conflict in Nella Larsen's Passing p. 393 From Sororophobia p. 409 Passing, Queering: Nella Larsen's Psychoanalytic Challenge p. 417 From Passing Fancies p. 435 Nella Larsen and the Veil of Race p. 444 From The Recurring Conditions of Nella Larsen's Passing p. 463 Passing and Domestic Tragedy p. 486 Passing: Race, Identification, and Desire p. 489 Racial Etiquette: Nella Larsen's Passing and the Rhinelander Case p. 507 A Chronology p. 533 Selected Bibliography p. 539 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780142437278 ( 0142437271 ) |
---|---|
발행(출시)일자 | 2003년 02월 04일 |
쪽수 | 160쪽 |
크기 |
127 * 193
* 13
mm
/ 136 g
|
총권수 | 1권 |
언어 | 영어 |
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