º»¹®³»¿ë ¹Ù·Î°¡±â
MDÀǼ±Åà ¼Òµæ°øÁ¦

[Book] Pygmalion (Penguin Classics)

Paperback
Shaw, Bernard ÁöÀ½ | Penguin Classic | 2003³â 02¿ù 01ÀÏ
  • Á¤°¡ : 7,900¿ø
    ÆÇ¸Å°¡ : 7,900¿ø [0%¡é 0¿ø ÇÒÀÎ]
  • ÅëÇÕÆ÷ÀÎÆ® :
    [±âº»Àû¸³] 240¿ø Àû¸³ [3% Àû¸³] ¾È³» [Ãß°¡Àû¸³] 5¸¸¿ø ÀÌ»ó ±¸¸Å ½Ã 2õ¿ø Ãß°¡Àû¸³ [ȸ¿øÇýÅÃ] ¿ì¼öȸ¿ø 3¸¸¿ø ÀÌ»ó ±¸¸Å ½Ã 2~4% Ãß°¡Àû¸³
  • Ãß°¡ÇýÅà : Æ÷ÀÎÆ® ¾È³» µµ¼­¼Òµæ°øÁ¦ ¾È³» Ãß°¡ÇýÅà ´õº¸±â
  • ¹è¼Ûºñ : ÇØ´ç µµ¼­ Æ÷ÇÔ ¸¸¿øÀÌ»ó ±¸¸Å½Ã ¹«·á ¹è¼Ûºñ ¾È³»
  • ¹è¼ÛÀÏÁ¤ : ¼­¿ïƯº°½Ã Á¾·Î±¸ ¼¼Á¾´ë·Î ±âÁØ Áö¿ªº¯°æ
    ´çÀϹè¼Û Áö±Ý ÁÖ¹®ÇÏ¸é ¿À´Ã(10ÀÏ,È­) µµÂø ¿¹Á¤ ¹è¼ÛÀÏÁ¤ ¾È³»
  • ¹Ù·Îµå¸² : ÀÎÅͳÝÀ¸·Î ÁÖ¹®ÇÏ°í ¸ÅÀå¿¡¼­ Á÷Á¢ ¼ö·É ¾È³» ¹Ù·Îµå¸² ÇýÅÃ
    ÈÞÀÏ¿¡´Â ¹Ù·Îµå¸² ÇȾ÷À¸·Î ´õ »¡¸® ¹Þ¾Æ º¸¼¼¿ä. ¹Ù·Îµå¸² ÇýÅùްí ÀÌ¿ëÇϱâ

¾Ë¸³´Ï´Ù.

  • ¿Ü±¹µµ¼­ÀÇ °æ¿ì ÇØ¿ÜÁ¦°øÁ¤º¸·Î¸¸ ¼­ºñ½ºµÇ¾î ¹ÌÇ¥±âµÈ Á¤º¸°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù. ÇÊ¿äÇÑ Á¤º¸°¡ ÀÖÀ»°æ¿ì 1:1 ¹®ÀÇ°Ô½ÃÆÇ À» ÀÌ¿ëÇÏ¿© ÁֽʽÿÀ.
»óǰ»ó¼¼Á¤º¸
ISBN 9780141439501(0141439505)
Âʼö 122ÂÊ
¾ð¾î English
Å©±â 130(W) X 198(H) (mm)
Á¦º»ÇüÅ ÆäÀÌÆÛ¹é-Paperback
ÃѱǼö 1±Ç
½Ã¸®Áî¸í Penguin Classics
¸®µùÁö¼ö Level General Adult

Ã¥¼Ò°³

ÀÌ Ã¥ÀÌ ¼ÓÇÑ ºÐ¾ß

Shaw's brilliantly witty expose of the British class system

·Î¸¶ÀÇ ½ÅÈ­¿¡¼­ ¸ðƼºê¸¦ µû¿Â Èñ°îÀ¸·Î ¾ð¾îÇÐÀÚ È÷±ä½º ±³¼ö, ÇÇÄ¿¸µ ´ë·É, ¾ÆÀνºÆ÷µå Èú ºÎÀΰú ±×ÀÇ ¾Æµé ÇÁ·¡µð, µþ À϶óÀÌÀÚ, ´ë»ç µîÀÌ ÆîÄ¡´Â »ç¶ûÀ̾߱⸦ ±×·È´Ù. 1914³â °ø¿¬µÈ ÀÛǰÀ¸·Î ÈÄ¿¡ ¿Àµå¸® Çñ¹ø ÁÖ¿¬ÀÇ ¿µÈ­·Îµµ Àß ¾Ë·ÁÁ® ÀÖ´Ù.

Shaw wrote the part of Eliza Doolittle?'an east-end dona with an apron and three orange and red ostrich feathers'?for Mrs Patrick Campbell, with whom he had a passionate but unconsummated affair. From the outset the play was a sensational success, although Shaw, irritated by its popularity at the expense of his artistic intentions, dismissed it as a potboiler. The Pygmalion of legend falls in love with his perfect female statue and persuades Venus to bring her to life so that he can marry her. But Shaw radically reworks Ovid's tale to give it a feminist slant: while Higgins teaches Eliza to speak and act like a duchess, she also asserts her independence, adamantly refusing to be his creation.

A brilliantly witty exposure of the British class system, it is, as Nicholas Grene comments in his Introduction, 'the wonderful inventiveness of its comedy, the force of what it still has to say to us, and the light playfulness of tone with which it is said', that ensures that Pygmalion continues to entertain us.

ÀúÀÚ¼Ò°³

ÀúÀÚ : Shaw, Bernard

Bernard Shaw was born in Dublin in 1856. Although essentially shy, he created the persona of G. B. S., the showman, satirist, controversialist, critic, pundit, wit, intellectual buffoon and dramatist. Commentators brought a new adjective into English: Shavian, a term used to embody all his brilliant qualities.
After his arrival in London in 1876 he became an active Socialist and a brilliant platform speaker. He wrote on many social aspects of the day: on Common Sense about the War (1914), How to Settle the Irish Question (1917) and The Intelligent Woman¡¯s Guide to Socialism and Capitalism (1928). He undertook his own education at the British Museum and consequently became keenly interested in cultural subjects. Thus his prolific output included music, art and theatre reviews, which were collected into several volumes such as Music in London 1890?1894 (3 vols, 1931); Pen Portraits and Reviews (1931); and Our Theatres in the Nineties (3 vols, 1931). He also wrote five novels and some shorter fiction, including The Black Girl in Search of God and Some Lesser Tales and Cashel Byron¡¯s Profession, both published in Penguin¡¯s Bernard Shaw Library.

He conducted a strong attack on the London theatre and was closely associated with the intellectual revival of British theatre. His plays fall into several categories: ¡®Plays Pleasant¡¯; ¡®Plays Unpleasant¡¯; comedies; chronicle-plays; ¡®metabiological Pentateuch¡¯ (Back to Methuselah, a series of plays); and ¡®political extravaganzas¡¯. Bernard Shaw died in 1950.

¸ñÂ÷

Chronology of the Life and Times of Bernard Shaw vii
Introduction xiii
Principal Works of Bernard Shaw xix
Preface 3
Pygmalion 9

ºÏ·Î±× ¸®ºä (0) ¾²·¯°¡±â

µµ¼­ ±¸¸Å ÈÄ ¸®ºä¸¦ ÀÛ¼ºÇϽøé ÅëÇÕÆ÷ÀÎÆ®¸¦ µå¸³´Ï´Ù.
°áÁ¦ 90ÀÏ À̳» ÀÛ¼º ½Ã 300¿ø / ¹ß¼Û ÈÄ 5ÀÏ À̳» ÀÛ¼º½Ã 400¿ø / ÀÌ »óǰÀÇ Ã¹ ¸®ºä ÀÛ¼º ½Ã 500¿ø
(Æ÷ÀÎÆ®´Â ÀÛ¼º ÈÄ ´ÙÀ½ ³¯ Àû¸³µÇ¸ç, µµ¼­ ¹ß¼Û Àü ÀÛ¼º ½Ã¿¡´Â ¹ß¼Û ÈÄ ÀÍÀÏ¿¡ Àû¸³µË´Ï´Ù.
¿Ü¼­/eBook/À½¹Ý/DVD/GIFT ¹× ÀâÁö »óǰ Á¦¿Ü)
¾È³»
  • ÇØ´çµµ¼­ÀÇ ¸®ºä°¡ ¾ø½À´Ï´Ù.

Klover ÆòÁ¡/¸®ºä (0)

¹®Àå¼öÁý (0) ¹®Àå¼öÁý ¾²±â ³ªÀÇ µ¶¼­±â·Ï º¸±â
※±¸¸Åµµ¼­ÀÇ ¹®Àå¼öÁýÀ» ±â·ÏÇϸé ÅëÇÕÆ÷ÀÎÆ® Àû¸³ ¾È³»

±³È¯/¹Ýǰ/ǰÀý¾È³»

¡Ø »óǰ ¼³¸í¿¡ ¹Ýǰ/±³È¯ °ü·ÃÇÑ ¾È³»°¡ ÀÖ´Â °æ¿ì ±× ³»¿ëÀ» ¿ì¼±À¸·Î ÇÕ´Ï´Ù. (¾÷ü »çÁ¤¿¡ µû¶ó ´Þ¶óÁú ¼ö ÀÖ½À´Ï´Ù.)

±³È¯/¹Ýǰ/ǰÀý¾È³»
¹Ýǰ/±³È¯¹æ¹ý ¸¶ÀÌ·ë > ÁÖ¹®°ü¸® > ÁÖ¹®/¹è¼Û³»¿ª > ÁÖ¹®Á¶È¸ > ¹Ýǰ/±³È¯½Åû ,
[1:1»ó´ã>¹Ýǰ/±³È¯/ȯºÒ] ¶Ç´Â °í°´¼¾ÅÍ (1544-1900)

¡Ø ¿ÀǸ¶ÄÏ, ÇØ¿Ü¹è¼ÛÁÖ¹®, ±âÇÁÆ® ÁÖ¹®½Ã [1:1»ó´ã>¹Ýǰ/±³È¯/ȯºÒ]
    ¶Ç´Â °í°´¼¾ÅÍ (1544-1900)
¹Ýǰ/±³È¯°¡´É ±â°£ º¯½É¹ÝǰÀÇ °æ¿ì ¼ö·É ÈÄ 7ÀÏ À̳»,
»óǰÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»
¹Ýǰ/±³È¯ºñ¿ë º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹Ýǰ/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
¹Ýǰ/±³È¯ ºÒ°¡ »çÀ¯
  • ¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óǰ µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
    (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)
  • ¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óǰ µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    ¿¹) È­Àåǰ, ½Äǰ, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî
  • º¹Á¦°¡ °¡´ÉÇÑ »óǰ µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
    ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý
  • ¼ÒºñÀÚÀÇ ¿äû¿¡ µû¶ó °³º°ÀûÀ¸·Î ÁÖ¹® Á¦À۵Ǵ »óǰÀÇ °æ¿ì ((1)ÇØ¿ÜÁÖ¹®µµ¼­)
  • µðÁöÅÐ ÄÁÅÙÃ÷ÀÎ eBook, ¿Àµð¿ÀºÏ µîÀ» 1ȸ ÀÌ»ó ´Ù¿î·Îµå¸¦ ¹Þ¾ÒÀ» °æ¿ì
  • ½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆÇ¸Å°¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
  • ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡
    ÇØ´çµÇ´Â °æ¿ì
(1) ÇØ¿ÜÁÖ¹®µµ¼­ : ÀÌ¿ëÀÚÀÇ ¿äû¿¡ ÀÇÇÑ °³ÀÎÁÖ¹®»óǰÀ¸·Î ´Ü¼øº¯½É ¹× Âø¿À·Î ÀÎÇÑ Ãë¼Ò/±³È¯/¹Ýǰ ½Ã ¡®ÇØ¿ÜÁÖ¹® ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á¡¯ °í°´ ºÎ´ã (ÇØ¿ÜÁÖ¹® ¹Ýǰ/Ãë¼Ò ¼ö¼ö·á : ¨ç¾ç¼­-ÆÇ¸ÅÁ¤°¡ÀÇ 12%, ¨èÀϼ­-ÆÇ¸ÅÁ¤°¡ÀÇ 7%¸¦ Àû¿ë)
»óǰ ǰÀý °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ ǰÀý/Áö¿¬µÉ ¼ö ÀÖÀ¸¸ç, ǰÀý ½Ã °ü·Ã »çÇ׿¡ ´ëÇØ¼­´Â
À̸ÞÀϰú ¹®ÀÚ·Î ¾È³»µå¸®°Ú½À´Ï´Ù.
¼ÒºñÀÚ ÇÇÇØº¸»ó
ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó
  • »óǰÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, ǰÁúº¸Áõ ¹× ÇÇÇØº¸»ó µî¿¡ °üÇÑ »çÇ×Àº
    ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê
  • ´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ
    ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

ÀÌ Ã¥ÀÇ ÇØ¿ÜÁÖ¹®°¡´Éµµ¼­°¡
ÀÖ½À´Ï´Ù.

ÀÌ ºÐ¾ßÀÇ º£½ºÆ®

  • Rooney, Sally
    10,780¿ø
  • Lee, Harper
    5,500¿ø
  • Towles, Amor
    10,350¿ø
  • Aciman, Andre
    6,600¿ø
  • Albom, Mitch
    5,400¿ø
´õº¸±â+

ÀÌ ºÐ¾ßÀÇ ½Å°£

  • Rooney, Sally
    10,780¿ø
  • Lee, Harper
    5,500¿ø
  • Aciman, Andre
    6,600¿ø
  • Hur, Mann Hyung
    9,200¿ø
  • Honeyman, Gail
    9,380¿ø
´õº¸±â+

¹Ù·Î°¡±â

  • ¿ìÃø È®ÀåÇü ¹è³Ê 2
  • ¿ìÃø È®ÀåÇü ¹è³Ê 2

ÃÖ±Ù º» »óǰ